Danse-thérapie et Parkinson

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Emotions and Creativity, East and West

Identifieur interne : 000409 ( Main/Exploration ); précédent : 000408; suivant : 000410

Emotions and Creativity, East and West

Auteurs : James R. Averill ; Kyum Koo Chon ; Doug Woong Hahn

Source :

RBID : ISTEX:D604837BF588FCC6AC1DA51658960556A82EC90A

Abstract

This article is concerned with emotion, creativity, and the intersection of the two – creativity in the domain of emotion. We first present a framework for the analysis of emotion, a framework that recognizes the importance of biological influences but that also takes into account cultural and individual variations. We then describe the criteria – effectiveness, novelty, and authenticity – for judging a response as creative; the relative emphasis placed on these criteria, especially novelty and authenticity, helps account for East–West differences in aesthetic preferences (e.g., in the production and evaluation of works of art). Next, we explore the ability of individuals to be emotionally creative, that is, to acquire emotions that meet the criteria for creativity. Finally, we examine the “Four‐Seven Debate,” a classic in Korean Neo‐Confucian thought, in light of our discussion of emotions and creativity.

Url:
DOI: 10.1111/1467-839X.00084


Affiliations:


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