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Fenomenologia, coscienza del tempo e analisi musicale

Identifieur interne : 001032 ( Main/Exploration ); précédent : 001031; suivant : 001033

Fenomenologia, coscienza del tempo e analisi musicale

Auteurs : Augusto Mazzoni

Source :

RBID : ISTEX:7213CDCE91D19FAA2E30EEECCE67C8FFCD43B7EE

Abstract

Abstract: This paper explores the relationships between American phenomenology of music and conventional studies of musical analysis. The temporality of experience is a central topic in the phenomenology of music: recent research in USA has focused on musical time-consciousness (Schutz and Smith) or on analytical applications (Clifton, Lochhead, Ferrara). Many methods of musical analysis, like phenomenological methods, are concerned to study subjective temporal structures: Schenkerian and post-Schenkerian scholars (Salzer, Meyer, Narmour, Lewin) have elaborated specific systems for the explanation of musical form on a experiential basis. Apart from any comparison with the different approaches, phenomenological analysis appears to be fundamental for the analytical interpretation of music.

Url:
DOI: 10.1007/BF02284703


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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   |type=    RBID
   |clé=     ISTEX:7213CDCE91D19FAA2E30EEECCE67C8FFCD43B7EE
   |texte=   Fenomenologia, coscienza del tempo e analisi musicale
}}

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