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Professional opera tenors' vocal tract configurations in registers.

Identifieur interne : 000356 ( PubMed/Corpus ); précédent : 000355; suivant : 000357

Professional opera tenors' vocal tract configurations in registers.

Auteurs : Matthias Echternach ; Johan Sundberg ; Michael Markl ; Bernhard Richter

Source :

RBID : pubmed:20588050

English descriptors

Abstract

Tenor singers may reach their top pitch range either by shifting from modal to falsetto register or by using their so-called 'voix mixte'.

DOI: 10.1159/000312668
PubMed: 20588050

Links to Exploration step

pubmed:20588050

Le document en format XML

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<name sortKey="Echternach, Matthias" sort="Echternach, Matthias" uniqKey="Echternach M" first="Matthias" last="Echternach">Matthias Echternach</name>
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<nlm:affiliation>Department of Musicians' Medicine, Freiburg University Medical Center, Freiburg, Germany. matthias.echternach@uniklinik-freiburg.de</nlm:affiliation>
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<name sortKey="Sundberg, Johan" sort="Sundberg, Johan" uniqKey="Sundberg J" first="Johan" last="Sundberg">Johan Sundberg</name>
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<name sortKey="Markl, Michael" sort="Markl, Michael" uniqKey="Markl M" first="Michael" last="Markl">Michael Markl</name>
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<name sortKey="Richter, Bernhard" sort="Richter, Bernhard" uniqKey="Richter B" first="Bernhard" last="Richter">Bernhard Richter</name>
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<div type="abstract" xml:lang="en">Tenor singers may reach their top pitch range either by shifting from modal to falsetto register or by using their so-called 'voix mixte'.</div>
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<AbstractText Label="OBJECTIVE" NlmCategory="OBJECTIVE">Tenor singers may reach their top pitch range either by shifting from modal to falsetto register or by using their so-called 'voix mixte'.</AbstractText>
<AbstractText Label="MATERIAL AND METHODS" NlmCategory="METHODS">In this study, dynamic real-time MRI of 8 frames per second was used to analyze the vocal tract profile in 10 professional opera tenors, who sang an ascending scale from C4 (262 Hz) to A4 (440 Hz) on the vowel /a/. The scale included their register transition and the singers applied both register techniques in different takes.</AbstractText>
<AbstractText Label="RESULTS" NlmCategory="RESULTS">Modal to falsetto register changes were associated with only minor vocal tract modifications, including elevation and tilting of the larynx and a lifted tongue dorsum. Transitions to voix mixte, by contrast, were associated with major vocal tract modifications. Under these conditions, the subjects widened their pharynges, their lip and jaw openings, and increased their jaw protrusion. These modifications were stronger in more 'heavy' tenors than in more 'light' tenors. The acoustic consequences of these articulatory changes are discussed.</AbstractText>
<CopyrightInformation>Copyright © 2010 S. Karger AG, Basel.</CopyrightInformation>
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