Music performance anxiety in opera singers.
Identifieur interne : 000346 ( PubMed/Corpus ); précédent : 000345; suivant : 000347Music performance anxiety in opera singers.
Auteurs : Claudia Spahn ; Matthias Echternach ; Mark F. Zander ; Edgar Voltmer ; Bernhard RichterSource :
- Logopedics, phoniatrics, vocology ; 2010.
English descriptors
- KwdEn :
- MESH :
- etiology : Anxiety.
- physiopathology : Anxiety.
- psychology : Music.
- therapy : Anxiety.
- Adult, Arousal, Blood Pressure, Female, Heart Rate, Humans, Male, Middle Aged, Severity of Illness Index, Surveys and Questionnaires, Voice Quality, Young Adult.
Abstract
Music performance anxiety (MPA) represents a high challenge every vocal performer has to meet. MPA can be defined on a continuum going from a low to a high level. MPA and its phenomena can be considered in terms of four levels: affect, cognition, behaviour, and physiology. A study carried out on seven opera singers and two instrumentalists during performance situations showed highly elevated values for the performers' heart rate and blood pressure. This study, as several others, yielded no clear evidence pointing to a correspondence between the level of anxiety and of physiological arousal. At the end of the article a multimodal approach to the treatment of MPA is illustrated consisting of different psychotherapeutic and body-oriented methods.
DOI: 10.3109/14015431003720600
PubMed: 20839904
Links to Exploration step
pubmed:20839904Le document en format XML
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<author><name sortKey="Spahn, Claudia" sort="Spahn, Claudia" uniqKey="Spahn C" first="Claudia" last="Spahn">Claudia Spahn</name>
<affiliation><nlm:affiliation>Freiburg University Medical Center, Institute of Musicians' Medicine, Breisacher Str. 60, Freiburg, 79106 Germany. claudia.spahn@uniklinik-freiburg.de</nlm:affiliation>
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<author><name sortKey="Echternach, Matthias" sort="Echternach, Matthias" uniqKey="Echternach M" first="Matthias" last="Echternach">Matthias Echternach</name>
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<author><name sortKey="Zander, Mark F" sort="Zander, Mark F" uniqKey="Zander M" first="Mark F" last="Zander">Mark F. Zander</name>
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<author><name sortKey="Voltmer, Edgar" sort="Voltmer, Edgar" uniqKey="Voltmer E" first="Edgar" last="Voltmer">Edgar Voltmer</name>
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<author><name sortKey="Richter, Bernhard" sort="Richter, Bernhard" uniqKey="Richter B" first="Bernhard" last="Richter">Bernhard Richter</name>
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<front><div type="abstract" xml:lang="en">Music performance anxiety (MPA) represents a high challenge every vocal performer has to meet. MPA can be defined on a continuum going from a low to a high level. MPA and its phenomena can be considered in terms of four levels: affect, cognition, behaviour, and physiology. A study carried out on seven opera singers and two instrumentalists during performance situations showed highly elevated values for the performers' heart rate and blood pressure. This study, as several others, yielded no clear evidence pointing to a correspondence between the level of anxiety and of physiological arousal. At the end of the article a multimodal approach to the treatment of MPA is illustrated consisting of different psychotherapeutic and body-oriented methods.</div>
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