Affect induction through musical sounds: an ethological perspective
Identifieur interne : 000E87 ( Pmc/Curation ); précédent : 000E86; suivant : 000E88Affect induction through musical sounds: an ethological perspective
Auteurs : David HuronSource :
- Philosophical Transactions of the Royal Society B: Biological Sciences [ 0962-8436 ] ; 2015.
Abstract
How does music induce or evoke feeling states in listeners? A number of mechanisms have been proposed for how sounds induce emotions, including innate auditory responses, learned associations and mirror neuron processes. Inspired by ethology, it is suggested that the ethological concepts of
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DOI: 10.1098/rstb.2014.0098
PubMed: 25646521
PubMed Central: 4321139
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<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Affect induction through musical sounds: an ethological perspective</title><author><name sortKey="Huron, David" sort="Huron, David" uniqKey="Huron D" first="David" last="Huron">David Huron</name></author></titleStmt><publicationStmt><idno type="wicri:source">PMC</idno><idno type="pmid">25646521</idno><idno type="pmc">4321139</idno><idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4321139</idno><idno type="RBID">PMC:4321139</idno><idno type="doi">10.1098/rstb.2014.0098</idno><date when="2015">2015</date><idno type="wicri:Area/Pmc/Corpus">000E87</idno><idno type="wicri:Area/Pmc/Curation">000E87</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Affect induction through musical sounds: an ethological perspective</title><author><name sortKey="Huron, David" sort="Huron, David" uniqKey="Huron D" first="David" last="Huron">David Huron</name></author></analytic><series><title level="j">Philosophical Transactions of the Royal Society B: Biological Sciences</title><idno type="ISSN">0962-8436</idno><idno type="e-ISSN">1471-2970</idno><imprint><date when="2015">2015</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p>How does music induce or evoke feeling states in listeners? A number of mechanisms have been proposed for how sounds induce emotions, including innate auditory responses, learned associations and mirror neuron processes. Inspired by ethology, it is suggested that the ethological concepts of <italic>signals</italic>, <italic>cues</italic> and <italic>indices</italic> offer additional analytic tools for better understanding induced affect. It is proposed that ethological concepts help explain why music is able to induce only certain emotions, why some induced emotions are similar to the displayed emotion (whereas other induced emotions differ considerably from the displayed emotion), why listeners often report feeling mixed emotions and why only some musical expressions evoke similar responses across cultures.</p></div></front></TEI><pmc article-type="review-article"><pmc-comment>The publisher of this article does not allow downloading of the full text in XML form.</pmc-comment>
<front><journal-meta><journal-id journal-id-type="nlm-ta">Philos Trans R Soc Lond B Biol Sci</journal-id><journal-id journal-id-type="iso-abbrev">Philos. Trans. R. Soc. Lond., B, Biol. Sci</journal-id><journal-id journal-id-type="publisher-id">RSTB</journal-id><journal-id journal-id-type="hwp">royptb</journal-id><journal-title-group><journal-title>Philosophical Transactions of the Royal Society B: Biological Sciences</journal-title></journal-title-group><issn pub-type="ppub">0962-8436</issn><issn pub-type="epub">1471-2970</issn><publisher><publisher-name>The Royal Society</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="pmid">25646521</article-id><article-id pub-id-type="pmc">4321139</article-id><article-id pub-id-type="doi">10.1098/rstb.2014.0098</article-id><article-id pub-id-type="publisher-id">rstb20140098</article-id><article-categories><subj-group subj-group-type="hwp-journal-coll"><subject>1001</subject><subject>14</subject><subject>42</subject></subj-group><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group><subj-group subj-group-type="leader"><subject>Opinion Piece</subject></subj-group></article-categories><title-group><article-title>Affect induction through musical sounds: an ethological perspective</article-title><alt-title alt-title-type="short">Affect Induction Through Music</alt-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Huron</surname><given-names>David</given-names></name><xref ref-type="corresp" rid="cor1"></xref></contrib></contrib-group><aff><addr-line>School of Music and Center for Cognitive and Brain Sciences</addr-line>,<institution>Ohio State University</institution>,<addr-line>1866 College Road, Columbus, OH 43210</addr-line>,<country>USA</country></aff><author-notes><corresp id="cor1">e-mail: <email>huron.1@osu.edu</email></corresp><fn fn-type="other"><p>One contribution of 12 to a theme issue ‘<ext-link ext-link-type="uri" xlink:href="http://rstb.royalsocietypublishing.org/content/370/1664.toc">Biology, cognition and origins of musicality</ext-link>’.</p></fn></author-notes><pub-date pub-type="ppub"><day>19</day><month>3</month><year>2015</year></pub-date><volume>370</volume><issue>1664</issue><issue-title>Theme issue ‘Biology, cognition and origins of musicality’ compiled and edited by Henkjan Honing, Carel ten Cate, Isabelle Peretz and Sandra E. Trehub</issue-title><elocation-id>20140098</elocation-id><permissions><copyright-statement>© 2015 The Author(s) Published by the Royal Society. All rights reserved.</copyright-statement><copyright-year>2015</copyright-year></permissions><self-uri content-type="pdf" xlink:type="simple" xlink:href="rstb20140098.pdf"></self-uri><abstract><p>How does music induce or evoke feeling states in listeners? A number of mechanisms have been proposed for how sounds induce emotions, including innate auditory responses, learned associations and mirror neuron processes. Inspired by ethology, it is suggested that the ethological concepts of <italic>signals</italic>, <italic>cues</italic> and <italic>indices</italic> offer additional analytic tools for better understanding induced affect. It is proposed that ethological concepts help explain why music is able to induce only certain emotions, why some induced emotions are similar to the displayed emotion (whereas other induced emotions differ considerably from the displayed emotion), why listeners often report feeling mixed emotions and why only some musical expressions evoke similar responses across cultures.</p></abstract><kwd-group><kwd>music</kwd><kwd>emotion</kwd><kwd>ethology</kwd><kwd>signals</kwd><kwd>cues</kwd><kwd>mirror neurons</kwd></kwd-group><custom-meta-group><custom-meta><meta-name>cover-date</meta-name><meta-value>March 19, 2015</meta-value></custom-meta></custom-meta-group></article-meta></front></pmc></record>Pour manipuler ce document sous Unix (Dilib)
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