Factors Influencing Use of Hearing Protection by Trumpet Players
Identifieur interne : 000D39 ( Pmc/Curation ); précédent : 000D38; suivant : 000D40Factors Influencing Use of Hearing Protection by Trumpet Players
Auteurs :Source :
- Trends in Amplification [ 1084-7138 ] ; 2012.
Abstract
Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of “fortissimo blare” from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common “musicians’ hearing loss” and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument—whether it is related to attenuation or amplification.
Url:
DOI: 10.1177/1084713812468514
PubMed: 23258619
PubMed Central: 4040860
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PMC:4040860Le document en format XML
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<front><div type="abstract" xml:lang="en"><p>Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of “fortissimo blare” from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common “musicians’ hearing loss” and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument—whether it is related to attenuation or amplification.</p>
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<title-group><article-title>Factors Influencing Use of Hearing Protection by Trumpet Players</article-title>
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<contrib-group><contrib contrib-type="editor"><name><surname>Chasin</surname>
<given-names>Marshall</given-names>
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<degrees>AuD</degrees>
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<contrib contrib-type="editor"><name><surname>Hockley</surname>
<given-names>Neil</given-names>
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<degrees>MSc</degrees>
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<contrib-group><contrib contrib-type="author" corresp="yes"><name><surname>Killion</surname>
<given-names>Mead C.</given-names>
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<aff id="aff1-1084713812468514"><label>1</label>
Etymotic Research, Inc., Elk Grove Village, IL, USA</aff>
<author-notes><corresp id="corresp1-1084713812468514">Mead C. Killion, PhD, Etymotic Research, Inc., 61 Martin Lane, Elk Grove Village, IL 60007, USA Email: <email>m_killion@etymotic.com</email>
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<pub-date pub-type="epub-ppub"><month>9</month>
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<pub-date pub-type="ppub"><month>9</month>
<year>2012</year>
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<volume>16</volume>
<issue>3</issue>
<issue-title>Special Issue on Music and Hearing Loss: Preventative and Rehabilitative options</issue-title>
<fpage>173</fpage>
<lpage>178</lpage>
<permissions><copyright-statement>© The Author(s) 2012</copyright-statement>
<copyright-year>2012</copyright-year>
<copyright-holder content-type="sage">SAGE Publications</copyright-holder>
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<abstract><p>Although a great many brass players, and trumpet players in particular, successfully use high-fidelity earplugs, others report problems with their use. This article discusses factors that may discourage a brass player from using hearing protection: These include (a) a lack of acclimatization time; (b) a loss of “fortissimo blare” from the aural distortion generated by the 110- to 120-dB SPL produced at the open ear with fortissimo playing; (c) a shallow earmold seal, leading to a large occlusion effect; (d) a poor seal combined with incorrect acoustic mass in the sound channel; and (e) hearing loss where many harmonic overtones of even moderately loud playing may become inaudible with earplugs to a lifelong trumpet player with high-frequency hearing loss. The limitations imposed by each of these can usually be overcome with modifications of the hearing protection device (HPD) or with acclimatization time, allowing a lifetime of playing without the all-too-common “musicians’ hearing loss” and/or tinnitus. A review of these factors helps to delineate some of the perceptual issues that musicians may have with any change in the spectrum of their instrument—whether it is related to attenuation or amplification.</p>
</abstract>
<kwd-group><kwd>hearing protection devices</kwd>
<kwd>acclimatization time</kwd>
<kwd>aural distortion</kwd>
<kwd>occlusion effect</kwd>
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