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OVERLAP OF HEARING AND VOICING RANGES IN SINGING

Identifieur interne : 000C71 ( Pmc/Curation ); précédent : 000C70; suivant : 000C72

OVERLAP OF HEARING AND VOICING RANGES IN SINGING

Auteurs : Eric J. Hunter [États-Unis] ; Ingo R. Titze [États-Unis]

Source :

Journal of singing : the official journal of the National Association of Teachers of Singing [ 1086-7732 ] ; 2005.

RBID : PMC:2763406

Abstract

Frequency and intensity ranges in voice production by trained and untrained singers were superimposed onto the average normal human hearing range. The vocal output for all subjects was shown both in Voice Range Profiles and Spectral Level Profiles. Trained singers took greater advantage of the dynamic range of the auditory system with harmonic energy (45% of the hearing range compared to 38% for untrained vocalists). This difference seemed to come from the trained singers ablily to exploit the most sensitive part of the hearing range (around 3 to 4 kHz) through the use of the singer’s formant. The trained vocalists’ average maximum third-octave spectral band level was 95 dB SPL, compared to 80 dB SPL for untrained.

Url:

http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2763406

PubMed: 19844607
PubMed Central: 2763406

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PMC:2763406

Le document en format XML

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<author><name sortKey="Hunter, Eric J" sort="Hunter, Eric J" uniqKey="Hunter E" first="Eric J." last="Hunter">Eric J. Hunter</name>
<affiliation wicri:level="2"><nlm:aff id="A1"> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver, Colorado</nlm:aff>
<country xml:lang="fr">États-Unis</country>
<placeName><region type="state">Colorado</region>
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<wicri:cityArea> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver</wicri:cityArea>
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<author><name sortKey="Titze, Ingo R" sort="Titze, Ingo R" uniqKey="Titze I" first="Ingo R." last="Titze">Ingo R. Titze</name>
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<country xml:lang="fr">États-Unis</country>
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<wicri:cityArea> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver</wicri:cityArea>
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<affiliation wicri:level="2"><nlm:aff id="A2"> The National Center for Voice and Speech at Department of Speech Pathology and Audiology, The University of Iowa; Iowa City, Iowa</nlm:aff>
<country xml:lang="fr">États-Unis</country>
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<wicri:cityArea> The National Center for Voice and Speech at Department of Speech Pathology and Audiology, The University of Iowa; Iowa City</wicri:cityArea>
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<affiliation wicri:level="2"><nlm:aff id="A1"> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver, Colorado</nlm:aff>
<country xml:lang="fr">États-Unis</country>
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<wicri:cityArea> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver</wicri:cityArea>
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<wicri:cityArea> The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver</wicri:cityArea>
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<series><title level="j">Journal of singing : the official journal of the National Association of Teachers of Singing</title>
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<front><div type="abstract" xml:lang="en"><p id="P1">Frequency and intensity ranges in voice production by trained and untrained singers were superimposed onto the average normal human hearing range. The vocal output for all subjects was shown both in Voice Range Profiles and Spectral Level Profiles. Trained singers took greater advantage of the dynamic range of the auditory system with harmonic energy (45% of the hearing range compared to 38% for untrained vocalists). This difference seemed to come from the trained singers ablily to exploit the most sensitive part of the hearing range (around 3 to 4 kHz) through the use of the <italic>singer’s formant</italic>
. The trained vocalists’ average maximum third-octave spectral band level was 95 dB SPL, compared to 80 dB SPL for untrained.</p>
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  <pmc-dir>properties manuscript</pmc-dir>
  <front><journal-meta><journal-id journal-id-type="nlm-journal-id">101514371</journal-id>
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<article-categories><subj-group subj-group-type="heading"><subject>Article</subject>
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<title-group><article-title>OVERLAP OF HEARING AND VOICING RANGES IN SINGING</article-title>
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<contrib-group><contrib contrib-type="author"><name><surname>Hunter</surname>
<given-names>Eric J.</given-names>
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 The National Center for Voice and Speech at The Denver Center for the Performing Arts, Denver, Colorado</aff>
<aff id="A2"><label>*</label>
 The National Center for Voice and Speech at Department of Speech Pathology and Audiology, The University of Iowa; Iowa City, Iowa</aff>
<author-notes><corresp id="FN1">CORRESPONDING AUTHOR: Eric Hunter, PhD, National Center for Voice and Speech, The Denver Center for the Performing Arts, 1245 Champa St; Denver, CO 80204; USA, Phone: 303-446-4834 Fax: 303-893-6487, Email address: <email>ehunter@dcpa.org</email>
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<pub-date pub-type="nihms-submitted"><day>22</day>
<month>5</month>
<year>2008</year>
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<pub-date pub-type="ppub"><month>4</month>
<year>2005</year>
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<pub-date pub-type="pmc-release"><day>19</day>
<month>10</month>
<year>2009</year>
</pub-date>
<volume>61</volume>
<issue>4</issue>
<fpage>387</fpage>
<lpage>392</lpage>
<abstract><p id="P1">Frequency and intensity ranges in voice production by trained and untrained singers were superimposed onto the average normal human hearing range. The vocal output for all subjects was shown both in Voice Range Profiles and Spectral Level Profiles. Trained singers took greater advantage of the dynamic range of the auditory system with harmonic energy (45% of the hearing range compared to 38% for untrained vocalists). This difference seemed to come from the trained singers ablily to exploit the most sensitive part of the hearing range (around 3 to 4 kHz) through the use of the <italic>singer’s formant</italic>
. The trained vocalists’ average maximum third-octave spectral band level was 95 dB SPL, compared to 80 dB SPL for untrained.</p>
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<kwd-group><kwd>Voice Range Profile</kwd>
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<contract-num rid="DC1">R01 DC004347-03</contract-num>
<contract-sponsor id="DC1">National Institute on Deafness and Other Communication Disorders : NIDCD</contract-sponsor>
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OVERLAP OF HEARING AND VOICING RANGES IN SINGING

OVERLAP OF HEARING AND VOICING RANGES IN SINGING

Source :

Abstract

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Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki