OperaV1, PascalFrancis, Curation, bibRecord, 000523

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Identifieur interne : 000523 ( PascalFrancis/Curation ); précédent : 000522; suivant : 000524

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Auteurs : Yu-Wei Lin [Royaume-Uni] ; Alan E. Williams [Royaume-Uni]

Source :

New review of hypermedia and multimedia [ 1361-4568 ] ; 2014.

RBID : Pascal:14-0230578

Descripteurs français

Pascal (Inist)
- Voix, Comportement utilisateur, Technologie information communication, Papier, Expérience, Performance, Etude longitudinale, Environnement électronique, Mass media, Etude comparative, Criblage, Médiation, Conception, Ecran, Compte rendu, Evaluation projet, Projet, Analyse qualitative, Analyse quantitative, Méthode.
Wicri :
- topic : Papier, Analyse qualitative, Analyse quantitative.

English descriptors

KwdEn :
- Comparative study, Design, Electronic environment, Experience, Follow up study, Information communication technology, Mass media, Mediation, Method, Paper, Performance, Project, Project evaluation, Qualitative analysis, Quantitative analysis, Report, Screen, Screening, User behavior, Voice.

Abstract

This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturated with digital media, respond to contemporary opera performance. Based on a comparative study of audience experiences and behaviours during a live opera performance and the streamed opera screening, we investigate whether digital mediation affects audience appreciation, and whether streaming live opera means the same thing to an audience as the unmediated performance. We firstly outline the conception, design and performance of a contemporary opera and its simultaneous streaming to nearby digital screens. Then, we report the evaluation of the project as measured by a mix of qualitative and quantitative methods during the rehearsals, the live performance and the screening. As one of the few social studies of contemporary classical music in Britain, our study of opera audience behaviours sheds light on the challenges and opportunities afforded by digital technologies for opera companies. Understanding how audiences appreciate digital operas offers practical advice on how theatres and opera companies could respond to new forms of digital activities.

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Links toward previous steps (curation, corpus...)

to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000008
to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000017

Links to Exploration step

Pascal:14-0230578

Le document en format XML

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   |texte=   Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera
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Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

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