Vibrato skolovanih muskih pjevackih glasova
Identifieur interne : 000330 ( PascalFrancis/Curation ); précédent : 000329; suivant : 000331Vibrato skolovanih muskih pjevackih glasova
Auteurs : Gordana Varosanec-Skaric [Croatie]Source :
- Govor : (Zagreb) [ 0352-7565 ] ; 2006.
Abstract
Frequency modulation of the fundamental frequency was investigated in 3 trained male opera singing voices: a renowned elder bass-baritone (80 years of age) and two younger singing voices (a bass-baritone and a bass, 24 and 22 years of age), who were recorded in identical conditions. Recorded material consisted of prolonged vowels in singing arias, vocalises, ditties and scales. Narrow-band spectrogram analyses, figures of periodic frequency changes, vibrato rate and extent, f0 means, standard deviations and ranges (minimum and maximum f0), jitter (%), shimmer (dB) and HNR (dB) were performed by the Praat software. Six healthy non-singing male voices were the control group. Their recorded material consisted of the vowel /a/ phonation. The results showed that singing voices were more stable than their non-singing counterparts, since there were not many statistically significant differences between groups for a particular acoustic variable. Only tones with satisfying duration between waves were taken into account for the analysis of vibrato. Since the rate of vibrato is higher towards the end of the tone, the middle part of the tone was used for the calculation of the rate of vibrato. The results show that the rate of vibrato is within the standards of good singing voice: average rate is 5.23 Hz in the experienced bass-baritone, 5.28 Hz in the young bass-baritone and 5.03 Hz in the young bass (basso cantante) with variability changing depending on the notes and age. The extent of vibrato is precise in elder world-renowned bass-baritone Tomislav Neralic. In the young bass-baritone the extent of vibrato exceeds the recommended values of % of the tone above and below the mean. The extent of vibrato is precise at low and mid tones in the young bass. Singing vibrato also entails a refined vocal tremor. It is therefore wonderful how older singing voice is aesthetically preserved. Namely, although tremor is disperiodic throughout the tone, shimmer is not significantly changed. When vibrato performance on different notes is compared, it can be concluded that a good vibrato is more often found in mid ranges of f0, then in low or very low ranges. There is no consistency of vibrato in each singer. Namely, the rate of vibrato depends on the vowel, tone and interpretation - the type of singing.
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Recorded material consisted of prolonged vowels in singing arias, vocalises, ditties and scales. Narrow-band spectrogram analyses, figures of periodic frequency changes, vibrato rate and extent, f<sub>0</sub> means, standard deviations and ranges (minimum and maximum f<sub>0</sub>), jitter (%), shimmer (dB) and HNR (dB) were performed by the Praat software. Six healthy non-singing male voices were the control group. Their recorded material consisted of the vowel /a/ phonation. The results showed that singing voices were more stable than their non-singing counterparts, since there were not many statistically significant differences between groups for a particular acoustic variable. Only tones with satisfying duration between waves were taken into account for the analysis of vibrato. Since the rate of vibrato is higher towards the end of the tone, the middle part of the tone was used for the calculation of the rate of vibrato. The results show that the rate of vibrato is within the standards of good singing voice: average rate is 5.23 Hz in the experienced bass-baritone, 5.28 Hz in the young bass-baritone and 5.03 Hz in the young bass (basso cantante) with variability changing depending on the notes and age. The extent of vibrato is precise in elder world-renowned bass-baritone Tomislav Neralic. In the young bass-baritone the extent of vibrato exceeds the recommended values of % of the tone above and below the mean. The extent of vibrato is precise at low and mid tones in the young bass. Singing vibrato also entails a refined vocal tremor. It is therefore wonderful how older singing voice is aesthetically preserved. Namely, although tremor is disperiodic throughout the tone, shimmer is not significantly changed. When vibrato performance on different notes is compared, it can be concluded that a good vibrato is more often found in mid ranges of f<sub>0</sub>, then in low or very low ranges. 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All rights reserved.</s1></fA44><fA45><s0>12 ref.</s0></fA45><fA47 i1="01" i2="1"><s0>10-0051762</s0></fA47><fA60><s1>P</s1></fA60><fA61><s0>A</s0></fA61><fA64 i1="01" i2="1"><s0>Govor : (Zagreb)</s0></fA64><fA66 i1="01"><s0>HRV</s0></fA66><fA68 i1="01" i2="1" l="ENG"><s1>Vibrato in trained male singing voices</s1></fA68><fA99><s0>9 notes</s0></fA99><fC01 i1="01" l="ENG"><s0>Frequency modulation of the fundamental frequency was investigated in 3 trained male opera singing voices: a renowned elder bass-baritone (80 years of age) and two younger singing voices (a bass-baritone and a bass, 24 and 22 years of age), who were recorded in identical conditions. Recorded material consisted of prolonged vowels in singing arias, vocalises, ditties and scales. Narrow-band spectrogram analyses, figures of periodic frequency changes, vibrato rate and extent, f<sub>0</sub> means, standard deviations and ranges (minimum and maximum f<sub>0</sub>), jitter (%), shimmer (dB) and HNR (dB) were performed by the Praat software. Six healthy non-singing male voices were the control group. Their recorded material consisted of the vowel /a/ phonation. The results showed that singing voices were more stable than their non-singing counterparts, since there were not many statistically significant differences between groups for a particular acoustic variable. Only tones with satisfying duration between waves were taken into account for the analysis of vibrato. Since the rate of vibrato is higher towards the end of the tone, the middle part of the tone was used for the calculation of the rate of vibrato. The results show that the rate of vibrato is within the standards of good singing voice: average rate is 5.23 Hz in the experienced bass-baritone, 5.28 Hz in the young bass-baritone and 5.03 Hz in the young bass (basso cantante) with variability changing depending on the notes and age. The extent of vibrato is precise in elder world-renowned bass-baritone Tomislav Neralic. In the young bass-baritone the extent of vibrato exceeds the recommended values of % of the tone above and below the mean. The extent of vibrato is precise at low and mid tones in the young bass. Singing vibrato also entails a refined vocal tremor. It is therefore wonderful how older singing voice is aesthetically preserved. Namely, although tremor is disperiodic throughout the tone, shimmer is not significantly changed. When vibrato performance on different notes is compared, it can be concluded that a good vibrato is more often found in mid ranges of f<sub>0</sub>, then in low or very low ranges. 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