The virtual orchestra: Technical and creative issues
Identifieur interne :
000035 ( PascalFrancis/Curation );
précédent :
000034;
suivant :
000036
The virtual orchestra: Technical and creative issues
Auteurs : F. W. Bianchi [
États-Unis] ;
R. H. Campbell [
États-Unis]
Source :
-
Journal of sound and vibration [ 0022-460X ] ; 2000.
RBID : Pascal:00-0263233
Descripteurs français
English descriptors
Abstract
The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.
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C01 | 01 | | ENG | @0 The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics. |
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|
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Le document en format XML
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