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The virtual orchestra: Technical and creative issues

Identifieur interne : 000035 ( PascalFrancis/Curation ); précédent : 000034; suivant : 000036

The virtual orchestra: Technical and creative issues

Auteurs : F. W. Bianchi [États-Unis] ; R. H. Campbell [États-Unis]

Source :

RBID : Pascal:00-0263233

Descripteurs français

English descriptors

Abstract

The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.
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A08 01  1  ENG  @1 The virtual orchestra: Technical and creative issues
A09 01  1  ENG  @1 Workshop on opera house acoustic, Seattle, June 1998
A11 01  1    @1 BIANCHI (F. W.)
A11 02  1    @1 CAMPBELL (R. H.)
A14 01      @1 Department of Humanities and Arts, Worcester Polytechnic Institute @2 Worcester, Massachusetts @3 USA @Z 1 aut.
A14 02      @1 Department of Electrical and Computer Engineering, Worcester Polytechnic Institute @2 Worcester, Massachusetts @3 USA @Z 2 aut.
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C01 01    ENG  @0 The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.
C02 01  X    @0 001B40C55
C03 01  X  FRE  @0 Réalité virtuelle @5 01
C03 01  X  ENG  @0 Virtual reality @5 01
C03 01  X  SPA  @0 Realidad virtual @5 01
C03 02  X  FRE  @0 Orchestre @5 02
C03 02  X  ENG  @0 Orchestra @5 02
C03 02  X  SPA  @0 Orquesta @5 02
C03 03  X  FRE  @0 Opéra bâtiment @5 03
C03 03  X  ENG  @0 Opera(building) @5 03
C03 03  X  SPA  @0 Ópera(edificio) @5 03
C03 04  X  FRE  @0 Théâtre bâtiment @5 04
C03 04  X  ENG  @0 Theatre(building) @5 04
C03 04  X  SPA  @0 Teatro construcción @5 04
C03 05  X  FRE  @0 Implémentation @5 05
C03 05  X  ENG  @0 Implementation @5 05
C03 05  X  SPA  @0 Ejecución @5 05
C03 06  X  FRE  @0 Outil logiciel @5 06
C03 06  X  ENG  @0 Software tool @5 06
C03 06  X  SPA  @0 Herramienta (controlada por ) logicial @5 06
C03 07  X  FRE  @0 Musicien @5 07
C03 07  X  ENG  @0 Musician @5 07
C03 07  X  SPA  @0 Músico @5 07
C03 08  X  FRE  @0 Acoustique salle @5 08
C03 08  X  ENG  @0 Room acoustics @5 08
C03 08  X  SPA  @0 Acústica sala @5 08
C03 09  X  FRE  @0 4355 @2 PAC @4 INC @5 56
N21       @1 178
pR  
A30 01  1  ENG  @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06

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