OperaV1, PascalFrancis, Curation, bibRecord, 000028

Formulae describing subjective attributes for sound fields based on a model of the auditory-brain system

Identifieur interne : 000028 ( PascalFrancis/Curation ); précédent : 000027; suivant : 000029

Formulae describing subjective attributes for sound fields based on a model of the auditory-brain system

Auteurs : Y. Ando [Japon] ; H. Sakai [Japon] ; S. Sato [Japon]

Source :

Journal of sound and vibration [ 0022-460X ] ; 2000.

RBID : Pascal:00-0262451

Descripteurs français

Pascal (Inist)
- Evaluation subjective, Modélisation, Autocorrélation, Corrélation croisée, Voie auditive, Hémisphère cérébral, Source sonore, Opéra bâtiment, Fonction autocorrélation, Article synthèse, Réflexion onde acoustique, Temps réverbération, Intelligibilité, Perception verbale, Temps retard, Musique, Fréquence fondamentale, Fonction corrélation, Fonction orthogonale, Signal acoustique, 4355, Corps humain.
Wicri :
- topic : Musique.

English descriptors

KwdEn :
- Acoustic signal, Acoustic wave reflection, Auditory pathway, Autocorrelation, Autocorrelation function, Cerebral hemisphere, Correlation function, Cross correlation, Delay time, Fundamental frequency, Human body, Intelligibility, Modeling, Music, Opera(building), Orthogonal function, Reverberation time, Review, Sound source, Subjective evaluation, Verbal perception.

Abstract

This article reviews the background of a workable model of the auditory-brain system, and formulae of calculating fundamental subjective attributes derived from the model. The model consists of the autocorrelation mechanisms, the interaural cross-correlation mechanism between the two auditory pathways, and the specialization of the human cerebral hemispheres for temporal and spatial factors of the sound field. Typical fundamental attributes, the apparent source width, the missing fundamental, and the speech intelligibility of sound fields, for example, in opera houses, are described in terms of the orthogonal spatial factors extracted from the interaural cross-correlation function, and the orthogonal temporal factors extracted from the autocorrelation function, respectively. Also, other important subjective attributes of the sound fields, the subjective diffuseness, and subjective preferences of both listeners and performers for single reflection are demonstrated here.

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C03	`09`	`X`	`FRE`	`@0 Fonction autocorrélation @5 10`
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C03	`09`	`X`	`SPA`	`@0 Función autocorrelación @5 10`
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C03	`15`	`X`	`SPA`	`@0 Tiempo retardo @5 16`
C03	`16`	`X`	`FRE`	`@0 Musique @5 17`
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C03	`16`	`X`	`SPA`	`@0 Música @5 17`
C03	`17`	`X`	`FRE`	`@0 Fréquence fondamentale @5 18`
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C03	`18`	`X`	`FRE`	`@0 Fonction corrélation @5 19`
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C03	`19`	`X`	`FRE`	`@0 Fonction orthogonale @5 20`
C03	`19`	`X`	`ENG`	`@0 Orthogonal function @5 20`
C03	`19`	`X`	`SPA`	`@0 Función ortogonal @5 20`
C03	`20`	`X`	`FRE`	`@0 Signal acoustique @5 21`
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N21				`@1 178`

A30	`01`	`1`	`ENG`	`@1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06`

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Le document en format XML

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<s5>10</s5>
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<fC03 i1="09" i2="X" l="SPA"><s0>Función autocorrelación</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Article synthèse</s0>
<s5>11</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Review</s0>
<s5>11</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Artículo síntesis</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="1" l="FRE"><s0>Réflexion onde acoustique</s0>
<s5>12</s5>
</fC03>
<fC03 i1="11" i2="1" l="ENG"><s0>Acoustic wave reflection</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE"><s0>Temps réverbération</s0>
<s5>13</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG"><s0>Reverberation time</s0>
<s5>13</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA"><s0>Tiempo reverberación</s0>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="X" l="FRE"><s0>Intelligibilité</s0>
<s5>14</s5>
</fC03>
<fC03 i1="13" i2="X" l="ENG"><s0>Intelligibility</s0>
<s5>14</s5>
</fC03>
<fC03 i1="13" i2="X" l="SPA"><s0>Inteligibilidad</s0>
<s5>14</s5>
</fC03>
<fC03 i1="14" i2="X" l="FRE"><s0>Perception verbale</s0>
<s5>15</s5>
</fC03>
<fC03 i1="14" i2="X" l="ENG"><s0>Verbal perception</s0>
<s5>15</s5>
</fC03>
<fC03 i1="14" i2="X" l="SPA"><s0>Percepción verbal</s0>
<s5>15</s5>
</fC03>
<fC03 i1="15" i2="X" l="FRE"><s0>Temps retard</s0>
<s5>16</s5>
</fC03>
<fC03 i1="15" i2="X" l="ENG"><s0>Delay time</s0>
<s5>16</s5>
</fC03>
<fC03 i1="15" i2="X" l="SPA"><s0>Tiempo retardo</s0>
<s5>16</s5>
</fC03>
<fC03 i1="16" i2="X" l="FRE"><s0>Musique</s0>
<s5>17</s5>
</fC03>
<fC03 i1="16" i2="X" l="ENG"><s0>Music</s0>
<s5>17</s5>
</fC03>
<fC03 i1="16" i2="X" l="SPA"><s0>Música</s0>
<s5>17</s5>
</fC03>
<fC03 i1="17" i2="X" l="FRE"><s0>Fréquence fondamentale</s0>
<s5>18</s5>
</fC03>
<fC03 i1="17" i2="X" l="ENG"><s0>Fundamental frequency</s0>
<s5>18</s5>
</fC03>
<fC03 i1="17" i2="X" l="SPA"><s0>Frecuencia fundamental</s0>
<s5>18</s5>
</fC03>
<fC03 i1="18" i2="X" l="FRE"><s0>Fonction corrélation</s0>
<s5>19</s5>
</fC03>
<fC03 i1="18" i2="X" l="ENG"><s0>Correlation function</s0>
<s5>19</s5>
</fC03>
<fC03 i1="18" i2="X" l="SPA"><s0>Función correlación</s0>
<s5>19</s5>
</fC03>
<fC03 i1="19" i2="X" l="FRE"><s0>Fonction orthogonale</s0>
<s5>20</s5>
</fC03>
<fC03 i1="19" i2="X" l="ENG"><s0>Orthogonal function</s0>
<s5>20</s5>
</fC03>
<fC03 i1="19" i2="X" l="SPA"><s0>Función ortogonal</s0>
<s5>20</s5>
</fC03>
<fC03 i1="20" i2="X" l="FRE"><s0>Signal acoustique</s0>
<s5>21</s5>
</fC03>
<fC03 i1="20" i2="X" l="ENG"><s0>Acoustic signal</s0>
<s5>21</s5>
</fC03>
<fC03 i1="20" i2="X" l="SPA"><s0>Señal acústica</s0>
<s5>21</s5>
</fC03>
<fC03 i1="21" i2="X" l="FRE"><s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03>
<fC03 i1="22" i2="X" l="FRE"><s0>Corps humain</s0>
<s4>CD</s4>
<s5>96</s5>
</fC03>
<fC03 i1="22" i2="X" l="ENG"><s0>Human body</s0>
<s4>CD</s4>
<s5>96</s5>
</fC03>
<fN21><s1>178</s1>
</fN21>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>Workshop on Opera House Acoustics</s1>
<s3>Seattle WA USA</s3>
<s4>1998-06</s4>
</fA30>
</pR>
</standard>
</inist>
</record>

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Formulae describing subjective attributes for sound fields based on a model of the auditory-brain system

Formulae describing subjective attributes for sound fields based on a model of the auditory-brain system

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