Orchestral timbre : Comb-filter coloration from reflections
Identifieur interne :
000021 ( PascalFrancis/Curation );
précédent :
000020;
suivant :
000022
Orchestral timbre : Comb-filter coloration from reflections
Auteurs : T. Halmrast [
Norvège]
Source :
-
Journal of sound and vibration [ 0022-460X ] ; 2000.
RBID : Pascal:00-0261955
Descripteurs français
- Pascal (Inist)
- Filtre,
Acoustique salle,
Acoustique architecturale,
Coloration,
Opéra bâtiment,
Orchestre,
Réflexion onde acoustique,
Transformation Fourier rapide,
Réponse impulsion,
Timbre,
Signal acoustique,
Intervalle temps,
Largeur bande,
4355,
Filtre Comb.
English descriptors
- KwdEn :
- Acoustic signal,
Acoustic wave reflection,
Architectural acoustics,
Bandwidth,
Coloration,
Comb filter,
Fast Fourier transformation,
Filter,
Opera(building),
Orchestra,
Pulse response,
Room acoustics,
Timbre,
Time interval.
Abstract
Coloration is defined as changes in timbre "klangfarbe". Coloration might be the reason why an orchestra/opera hall sounds had, even if all the common room acoustic parameters show good results. In this paper, a closer look is taken at the reflections within the time intervals commonly used for the room-acoustic parameters, their contribution to coloration is investigated, and the results are compared with psycho-acoustic studies.
pA |
A01 | 01 | 1 | | @0 0022-460X |
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A02 | 01 | | | @0 JSVIAG |
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A03 | | 1 | | @0 J. sound vib. |
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A05 | | | | @2 232 |
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A06 | | | | @2 1 |
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A08 | 01 | 1 | ENG | @1 Orchestral timbre : Comb-filter coloration from reflections |
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A09 | 01 | 1 | ENG | @1 Workshop on opera house acoustic, Seattle, June 1998 |
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A11 | 01 | 1 | | @1 HALMRAST (T.) |
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A14 | 01 | | | @1 Statsbygg, p.b 8106 Dep @2 0032 Oslo @3 NOR @Z 1 aut. |
---|
A18 | 01 | 1 | | @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr. |
---|
A18 | 02 | 1 | | @1 Music and Concert Hall Acoustics @3 JPN @9 patr. |
---|
A18 | 03 | 1 | | @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr. |
---|
A20 | | | | @1 53-69 |
---|
A21 | | | | @1 2000 |
---|
A23 | 01 | | | @0 ENG |
---|
A43 | 01 | | | @1 INIST @2 11530 @5 354000087541380060 |
---|
A44 | | | | @0 0000 @1 © 2000 INIST-CNRS. All rights reserved. |
---|
A45 | | | | @0 25 ref. |
---|
A47 | 01 | 1 | | @0 00-0261955 |
---|
A60 | | | | @1 P @2 C |
---|
A61 | | | | @0 A |
---|
A64 | 01 | 1 | | @0 Journal of sound and vibration |
---|
A66 | 01 | | | @0 GBR |
---|
C01 | 01 | | ENG | @0 Coloration is defined as changes in timbre "klangfarbe". Coloration might be the reason why an orchestra/opera hall sounds had, even if all the common room acoustic parameters show good results. In this paper, a closer look is taken at the reflections within the time intervals commonly used for the room-acoustic parameters, their contribution to coloration is investigated, and the results are compared with psycho-acoustic studies. |
---|
C02 | 01 | X | | @0 001B40C55 |
---|
C03 | 01 | X | FRE | @0 Filtre @5 02 |
---|
C03 | 01 | X | ENG | @0 Filter @5 02 |
---|
C03 | 01 | X | SPA | @0 Filtro @5 02 |
---|
C03 | 02 | X | FRE | @0 Acoustique salle @5 03 |
---|
C03 | 02 | X | ENG | @0 Room acoustics @5 03 |
---|
C03 | 02 | X | SPA | @0 Acústica sala @5 03 |
---|
C03 | 03 | X | FRE | @0 Acoustique architecturale @5 04 |
---|
C03 | 03 | X | ENG | @0 Architectural acoustics @5 04 |
---|
C03 | 03 | X | SPA | @0 Acústica arquitectural @5 04 |
---|
C03 | 04 | X | FRE | @0 Coloration @5 05 |
---|
C03 | 04 | X | ENG | @0 Coloration @5 05 |
---|
C03 | 04 | X | SPA | @0 Coloración @5 05 |
---|
C03 | 05 | X | FRE | @0 Opéra bâtiment @5 06 |
---|
C03 | 05 | X | ENG | @0 Opera(building) @5 06 |
---|
C03 | 05 | X | SPA | @0 Ópera(edificio) @5 06 |
---|
C03 | 06 | X | FRE | @0 Orchestre @5 07 |
---|
C03 | 06 | X | ENG | @0 Orchestra @5 07 |
---|
C03 | 06 | X | SPA | @0 Orquesta @5 07 |
---|
C03 | 07 | 1 | FRE | @0 Réflexion onde acoustique @5 08 |
---|
C03 | 07 | 1 | ENG | @0 Acoustic wave reflection @5 08 |
---|
C03 | 08 | X | FRE | @0 Transformation Fourier rapide @5 09 |
---|
C03 | 08 | X | ENG | @0 Fast Fourier transformation @5 09 |
---|
C03 | 08 | X | SPA | @0 Transformación Fourier rápida @5 09 |
---|
C03 | 09 | X | FRE | @0 Réponse impulsion @5 10 |
---|
C03 | 09 | X | ENG | @0 Pulse response @5 10 |
---|
C03 | 09 | X | SPA | @0 Respuesta impulsión @5 10 |
---|
C03 | 10 | X | FRE | @0 Timbre @5 11 |
---|
C03 | 10 | X | ENG | @0 Timbre @5 11 |
---|
C03 | 10 | X | SPA | @0 Sello @5 11 |
---|
C03 | 11 | X | FRE | @0 Signal acoustique @5 12 |
---|
C03 | 11 | X | ENG | @0 Acoustic signal @5 12 |
---|
C03 | 11 | X | SPA | @0 Señal acústica @5 12 |
---|
C03 | 12 | X | FRE | @0 Intervalle temps @5 13 |
---|
C03 | 12 | X | ENG | @0 Time interval @5 13 |
---|
C03 | 12 | X | SPA | @0 Intervalo tiempo @5 13 |
---|
C03 | 13 | X | FRE | @0 Largeur bande @5 14 |
---|
C03 | 13 | X | ENG | @0 Bandwidth @5 14 |
---|
C03 | 13 | X | SPA | @0 Anchura banda @5 14 |
---|
C03 | 14 | X | FRE | @0 4355 @2 PAC @4 INC @5 56 |
---|
C03 | 15 | X | FRE | @0 Filtre Comb @4 CD @5 96 |
---|
C03 | 15 | X | ENG | @0 Comb filter @4 CD @5 96 |
---|
N21 | | | | @1 178 |
---|
|
pR |
A30 | 01 | 1 | ENG | @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06 |
---|
|
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Coloration is defined as changes in timbre "klangfarbe". Coloration might be the reason why an orchestra/opera hall sounds had, even if all the common room acoustic parameters show good results. In this paper, a closer look is taken at the reflections within the time intervals commonly used for the room-acoustic parameters, their contribution to coloration is investigated, and the results are compared with psycho-acoustic studies.</div>
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