Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux
Identifieur interne :
000017 ( PascalFrancis/Curation );
précédent :
000016;
suivant :
000018
Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux
Auteurs : C. Semidor [
France] ;
A. Barlet [
France]
Source :
-
Journal of sound and vibration [ 0022-460X ] ; 2000.
RBID : Pascal:00-0261854
Descripteurs français
- Pascal (Inist)
- Acoustique,
Mesure acoustique,
Evaluation performance,
Fiabilité,
Analyse objective,
Evaluation subjective,
Opéra bâtiment,
Acoustique salle,
Acoustique architecturale,
Théâtre bâtiment,
Etude expérimentale,
France,
4355.
- Wicri :
English descriptors
- KwdEn :
- Acoustic measurement,
Acoustics,
Architectural acoustics,
Experimental study,
France,
Objective analysis,
Opera(building),
Performance evaluation,
Reliability,
Room acoustics,
Subjective evaluation,
Theatre(building).
Abstract
This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire.
pA |
A01 | 01 | 1 | | @0 0022-460X |
---|
A02 | 01 | | | @0 JSVIAG |
---|
A03 | | 1 | | @0 J. sound vib. |
---|
A05 | | | | @2 232 |
---|
A06 | | | | @2 1 |
---|
A08 | 01 | 1 | ENG | @1 Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux |
---|
A09 | 01 | 1 | ENG | @1 Workshop on opera house acoustic, Seattle, June 1998 |
---|
A11 | 01 | 1 | | @1 SEMIDOR (C.) |
---|
A11 | 02 | 1 | | @1 BARLET (A.) |
---|
A14 | 01 | | | @1 ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba @2 33405 Talence @3 FRA @Z 1 aut. @Z 2 aut. |
---|
A18 | 01 | 1 | | @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr. |
---|
A18 | 02 | 1 | | @1 Music and Concert Hall Acoustics @3 JPN @9 patr. |
---|
A18 | 03 | 1 | | @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr. |
---|
A20 | | | | @1 251-261 |
---|
A21 | | | | @1 2000 |
---|
A23 | 01 | | | @0 ENG |
---|
A43 | 01 | | | @1 INIST @2 11530 @5 354000087541380190 |
---|
A44 | | | | @0 0000 @1 © 2000 INIST-CNRS. All rights reserved. |
---|
A45 | | | | @0 8 ref. |
---|
A47 | 01 | 1 | | @0 00-0261854 |
---|
A60 | | | | @1 P @2 C |
---|
A61 | | | | @0 A |
---|
A64 | 01 | 1 | | @0 Journal of sound and vibration |
---|
A66 | 01 | | | @0 GBR |
---|
C01 | 01 | | ENG | @0 This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire. |
---|
C02 | 01 | X | | @0 001B40C55 |
---|
C03 | 01 | X | FRE | @0 Acoustique @5 01 |
---|
C03 | 01 | X | ENG | @0 Acoustics @5 01 |
---|
C03 | 01 | X | SPA | @0 Acústica @5 01 |
---|
C03 | 02 | X | FRE | @0 Mesure acoustique @5 02 |
---|
C03 | 02 | X | ENG | @0 Acoustic measurement @5 02 |
---|
C03 | 02 | X | SPA | @0 Medida acústica @5 02 |
---|
C03 | 03 | X | FRE | @0 Evaluation performance @5 03 |
---|
C03 | 03 | X | ENG | @0 Performance evaluation @5 03 |
---|
C03 | 03 | X | SPA | @0 Evaluación prestación @5 03 |
---|
C03 | 04 | X | FRE | @0 Fiabilité @5 04 |
---|
C03 | 04 | X | ENG | @0 Reliability @5 04 |
---|
C03 | 04 | X | SPA | @0 Fiabilidad @5 04 |
---|
C03 | 05 | X | FRE | @0 Analyse objective @5 05 |
---|
C03 | 05 | X | ENG | @0 Objective analysis @5 05 |
---|
C03 | 05 | X | SPA | @0 Análisis objetivos @5 05 |
---|
C03 | 06 | X | FRE | @0 Evaluation subjective @5 06 |
---|
C03 | 06 | X | ENG | @0 Subjective evaluation @5 06 |
---|
C03 | 06 | X | SPA | @0 Evaluación subjetiva @5 06 |
---|
C03 | 07 | X | FRE | @0 Opéra bâtiment @5 07 |
---|
C03 | 07 | X | ENG | @0 Opera(building) @5 07 |
---|
C03 | 07 | X | SPA | @0 Ópera(edificio) @5 07 |
---|
C03 | 08 | X | FRE | @0 Acoustique salle @5 08 |
---|
C03 | 08 | X | ENG | @0 Room acoustics @5 08 |
---|
C03 | 08 | X | SPA | @0 Acústica sala @5 08 |
---|
C03 | 09 | X | FRE | @0 Acoustique architecturale @5 09 |
---|
C03 | 09 | X | ENG | @0 Architectural acoustics @5 09 |
---|
C03 | 09 | X | SPA | @0 Acústica arquitectural @5 09 |
---|
C03 | 10 | X | FRE | @0 Théâtre bâtiment @5 10 |
---|
C03 | 10 | X | ENG | @0 Theatre(building) @5 10 |
---|
C03 | 10 | X | SPA | @0 Teatro construcción @5 10 |
---|
C03 | 11 | X | FRE | @0 Etude expérimentale @5 11 |
---|
C03 | 11 | X | ENG | @0 Experimental study @5 11 |
---|
C03 | 11 | X | SPA | @0 Estudio experimental @5 11 |
---|
C03 | 12 | X | FRE | @0 France @2 NG @5 12 |
---|
C03 | 12 | X | ENG | @0 France @2 NG @5 12 |
---|
C03 | 12 | X | SPA | @0 Francia @2 NG @5 12 |
---|
C03 | 13 | X | FRE | @0 4355 @2 PAC @4 INC @5 56 |
---|
C07 | 01 | X | FRE | @0 Europe @2 NG |
---|
C07 | 01 | X | ENG | @0 Europe @2 NG |
---|
C07 | 01 | X | SPA | @0 Europa @2 NG |
---|
N21 | | | | @1 178 |
---|
|
pR |
A30 | 01 | 1 | ENG | @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06 |
---|
|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000735
Links to Exploration step
Pascal:00-0261854
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux</title>
<author><name sortKey="Semidor, C" sort="Semidor, C" uniqKey="Semidor C" first="C." last="Semidor">C. Semidor</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba</s1>
<s2>33405 Talence</s2>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>France</country>
</affiliation>
</author>
<author><name sortKey="Barlet, A" sort="Barlet, A" uniqKey="Barlet A" first="A." last="Barlet">A. Barlet</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba</s1>
<s2>33405 Talence</s2>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>France</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">00-0261854</idno>
<date when="2000">2000</date>
<idno type="stanalyst">PASCAL 00-0261854 INIST</idno>
<idno type="RBID">Pascal:00-0261854</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000735</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000017</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux</title>
<author><name sortKey="Semidor, C" sort="Semidor, C" uniqKey="Semidor C" first="C." last="Semidor">C. Semidor</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba</s1>
<s2>33405 Talence</s2>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>France</country>
</affiliation>
</author>
<author><name sortKey="Barlet, A" sort="Barlet, A" uniqKey="Barlet A" first="A." last="Barlet">A. Barlet</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba</s1>
<s2>33405 Talence</s2>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>France</country>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
<imprint><date when="2000">2000</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic measurement</term>
<term>Acoustics</term>
<term>Architectural acoustics</term>
<term>Experimental study</term>
<term>France</term>
<term>Objective analysis</term>
<term>Opera(building)</term>
<term>Performance evaluation</term>
<term>Reliability</term>
<term>Room acoustics</term>
<term>Subjective evaluation</term>
<term>Theatre(building)</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Acoustique</term>
<term>Mesure acoustique</term>
<term>Evaluation performance</term>
<term>Fiabilité</term>
<term>Analyse objective</term>
<term>Evaluation subjective</term>
<term>Opéra bâtiment</term>
<term>Acoustique salle</term>
<term>Acoustique architecturale</term>
<term>Théâtre bâtiment</term>
<term>Etude expérimentale</term>
<term>France</term>
<term>4355</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>France</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Acoustique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0022-460X</s0>
</fA01>
<fA02 i1="01"><s0>JSVIAG</s0>
</fA02>
<fA03 i2="1"><s0>J. sound vib.</s0>
</fA03>
<fA05><s2>232</s2>
</fA05>
<fA08 i1="01" i2="1" l="ENG"><s1>Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>Workshop on opera house acoustic, Seattle, June 1998</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>SEMIDOR (C.)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>BARLET (A.)</s1>
</fA11>
<fA14 i1="01"><s1>ERIAC-école d'architecture et de paysage de Bordeaux, Domainé de Raba</s1>
<s2>33405 Talence</s2>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14>
<fA18 i1="01" i2="1"><s1>Interuniversity Centre for Acoustics and Musical Research</s1>
<s3>ITA</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="02" i2="1"><s1>Music and Concert Hall Acoustics</s1>
<s3>JPN</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="03" i2="1"><s1>ASA. Technical Committee of Architectural Acoustics</s1>
<s3>USA</s3>
<s9>patr.</s9>
</fA18>
<fA20><s1>251-261</s1>
</fA20>
<fA21><s1>2000</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>11530</s2>
<s5>354000087541380190</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2000 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>8 ref.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>00-0261854</s0>
</fA47>
<fA60><s1>P</s1>
<s2>C</s2>
</fA60>
<fA64 i1="01" i2="1"><s0>Journal of sound and vibration</s0>
</fA64>
<fA66 i1="01"><s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>001B40C55</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Acoustique</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Acoustics</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Acústica</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Mesure acoustique</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Acoustic measurement</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Medida acústica</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Evaluation performance</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Performance evaluation</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Evaluación prestación</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Fiabilité</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Reliability</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Fiabilidad</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE"><s0>Analyse objective</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG"><s0>Objective analysis</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA"><s0>Análisis objetivos</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Evaluation subjective</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Subjective evaluation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Evaluación subjetiva</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Opéra bâtiment</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Opera(building)</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Ópera(edificio)</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>Acoustique salle</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG"><s0>Room acoustics</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA"><s0>Acústica sala</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE"><s0>Acoustique architecturale</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG"><s0>Architectural acoustics</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA"><s0>Acústica arquitectural</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Théâtre bâtiment</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Theatre(building)</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Teatro construcción</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE"><s0>Etude expérimentale</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="ENG"><s0>Experimental study</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="SPA"><s0>Estudio experimental</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE"><s0>France</s0>
<s2>NG</s2>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG"><s0>France</s0>
<s2>NG</s2>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA"><s0>Francia</s0>
<s2>NG</s2>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="X" l="FRE"><s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03>
<fC07 i1="01" i2="X" l="FRE"><s0>Europe</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="01" i2="X" l="ENG"><s0>Europe</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="01" i2="X" l="SPA"><s0>Europa</s0>
<s2>NG</s2>
</fC07>
<fN21><s1>178</s1>
</fN21>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>Workshop on Opera House Acoustics</s1>
<s3>Seattle WA USA</s3>
<s4>1998-06</s4>
</fA30>
</pR>
</standard>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000017 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000017 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Curation
|type= RBID
|clé= Pascal:00-0261854
|texte= Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux
}}
| This area was generated with Dilib version V0.6.21. Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020 |  |