Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields

Identifieur interne : 000727 ( PascalFrancis/Corpus ); précédent : 000726; suivant : 000728

Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields

Auteurs : H. Sakai ; Y. Ando ; H. Setoguchi

Source :

RBID : Pascal:00-0262099

Descripteurs français

English descriptors

Abstract

The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time Tsub using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing Tsub, which is one of the four orthogonal-objective parameters of sound field.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

pA  
A01 01  1    @0 0022-460X
A02 01      @0 JSVIAG
A03   1    @0 J. sound vib.
A05       @2 232
A06       @2 1
A08 01  1  ENG  @1 Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
A09 01  1  ENG  @1 Workshop on opera house acoustic, Seattle, June 1998
A11 01  1    @1 SAKAI (H.)
A11 02  1    @1 ANDO (Y.)
A11 03  1    @1 SETOGUCHI (H.)
A14 01      @1 Graduate School of Science and Technology, Kobe University @2 Kobe, 657-8501 @3 JPN @Z 1 aut. @Z 2 aut.
A14 02      @1 Kirishima International Concert Hall @2 Kagoshima, 899-6603 @3 JPN @Z 3 aut.
A18 01  1    @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr.
A18 02  1    @1 Music and Concert Hall Acoustics @3 JPN @9 patr.
A18 03  1    @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr.
A20       @1 157-169
A21       @1 2000
A23 01      @0 ENG
A43 01      @1 INIST @2 11530 @5 354000087541380130
A44       @0 0000 @1 © 2000 INIST-CNRS. All rights reserved.
A45       @0 14 ref.
A47 01  1    @0 00-0262099
A60       @1 P @2 C
A61       @0 A
A64 01  1    @0 Journal of sound and vibration
A66 01      @0 GBR
C01 01    ENG  @0 The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time Tsub using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing Tsub, which is one of the four orthogonal-objective parameters of sound field.
C02 01  X    @0 001B40C55
C03 01  X  FRE  @0 Essai @5 01
C03 01  X  ENG  @0 Test @5 01
C03 01  X  SPA  @0 Ensayo @5 01
C03 02  X  FRE  @0 Evaluation subjective @5 02
C03 02  X  ENG  @0 Subjective evaluation @5 02
C03 02  X  SPA  @0 Evaluación subjetiva @5 02
C03 03  X  FRE  @0 Signal vocal @5 03
C03 03  X  ENG  @0 Vocal signal @5 03
C03 03  X  SPA  @0 Señal vocal @5 03
C03 04  X  FRE  @0 Musique @5 04
C03 04  X  ENG  @0 Music @5 04
C03 04  X  SPA  @0 Música @5 04
C03 05  X  FRE  @0 Temps réverbération @5 05
C03 05  X  ENG  @0 Reverberation time @5 05
C03 05  X  SPA  @0 Tiempo reverberación @5 05
C03 06  X  FRE  @0 Acoustique salle @5 06
C03 06  X  ENG  @0 Room acoustics @5 06
C03 06  X  SPA  @0 Acústica sala @5 06
C03 07  X  FRE  @0 Acoustique architecturale @5 07
C03 07  X  ENG  @0 Architectural acoustics @5 07
C03 07  X  SPA  @0 Acústica arquitectural @5 07
C03 08  X  FRE  @0 Méthode expérimentale @5 08
C03 08  X  ENG  @0 Experimental method @5 08
C03 08  X  SPA  @0 Método experimental @5 08
C03 09  X  FRE  @0 Signal acoustique @5 09
C03 09  X  ENG  @0 Acoustic signal @5 09
C03 09  X  SPA  @0 Señal acústica @5 09
C03 10  X  FRE  @0 Fonction autocorrélation @5 10
C03 10  X  ENG  @0 Autocorrelation function @5 10
C03 10  X  SPA  @0 Función autocorrelación @5 10
C03 11  X  FRE  @0 Temps retard @5 11
C03 11  X  ENG  @0 Delay time @5 11
C03 11  X  SPA  @0 Tiempo retardo @5 11
C03 12  X  FRE  @0 Analyse variance @5 12
C03 12  X  ENG  @0 Variance analysis @5 12
C03 12  X  SPA  @0 Análisis variancia @5 12
C03 13  X  FRE  @0 4355 @2 PAC @4 INC @5 56
N21       @1 178
pR  
A30 01  1  ENG  @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06

Format Inist (serveur)

NO : PASCAL 00-0262099 INIST
ET : Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
AU : SAKAI (H.); ANDO (Y.); SETOGUCHI (H.)
AF : Graduate School of Science and Technology, Kobe University/Kobe, 657-8501/Japon (1 aut., 2 aut.); Kirishima International Concert Hall/Kagoshima, 899-6603/Japon (3 aut.)
DT : Publication en série; Congrès; Niveau analytique
SO : Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2000; Vol. 232; No. 1; Pp. 157-169; Bibl. 14 ref.
LA : Anglais
EA : The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time Tsub using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing Tsub, which is one of the four orthogonal-objective parameters of sound field.
CC : 001B40C55
FD : Essai; Evaluation subjective; Signal vocal; Musique; Temps réverbération; Acoustique salle; Acoustique architecturale; Méthode expérimentale; Signal acoustique; Fonction autocorrélation; Temps retard; Analyse variance; 4355
ED : Test; Subjective evaluation; Vocal signal; Music; Reverberation time; Room acoustics; Architectural acoustics; Experimental method; Acoustic signal; Autocorrelation function; Delay time; Variance analysis
SD : Ensayo; Evaluación subjetiva; Señal vocal; Música; Tiempo reverberación; Acústica sala; Acústica arquitectural; Método experimental; Señal acústica; Función autocorrelación; Tiempo retardo; Análisis variancia
LO : INIST-11530.354000087541380130
ID : 00-0262099

Links to Exploration step

Pascal:00-0262099

Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en" level="a">Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</title>
<author>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Setoguchi, H" sort="Setoguchi, H" uniqKey="Setoguchi H" first="H." last="Setoguchi">H. Setoguchi</name>
<affiliation>
<inist:fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">INIST</idno>
<idno type="inist">00-0262099</idno>
<date when="2000">2000</date>
<idno type="stanalyst">PASCAL 00-0262099 INIST</idno>
<idno type="RBID">Pascal:00-0262099</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000727</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="en" level="a">Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</title>
<author>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Setoguchi, H" sort="Setoguchi, H" uniqKey="Setoguchi H" first="H." last="Setoguchi">H. Setoguchi</name>
<affiliation>
<inist:fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series>
<title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
<imprint>
<date when="2000">2000</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Acoustic signal</term>
<term>Architectural acoustics</term>
<term>Autocorrelation function</term>
<term>Delay time</term>
<term>Experimental method</term>
<term>Music</term>
<term>Reverberation time</term>
<term>Room acoustics</term>
<term>Subjective evaluation</term>
<term>Test</term>
<term>Variance analysis</term>
<term>Vocal signal</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Essai</term>
<term>Evaluation subjective</term>
<term>Signal vocal</term>
<term>Musique</term>
<term>Temps réverbération</term>
<term>Acoustique salle</term>
<term>Acoustique architecturale</term>
<term>Méthode expérimentale</term>
<term>Signal acoustique</term>
<term>Fonction autocorrélation</term>
<term>Temps retard</term>
<term>Analyse variance</term>
<term>4355</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time T
<sub>sub</sub>
using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing T
<sub>sub</sub>
, which is one of the four orthogonal-objective parameters of sound field.</div>
</front>
</TEI>
<inist>
<standard h6="B">
<pA>
<fA01 i1="01" i2="1">
<s0>0022-460X</s0>
</fA01>
<fA02 i1="01">
<s0>JSVIAG</s0>
</fA02>
<fA03 i2="1">
<s0>J. sound vib.</s0>
</fA03>
<fA05>
<s2>232</s2>
</fA05>
<fA06>
<s2>1</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG">
<s1>Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG">
<s1>Workshop on opera house acoustic, Seattle, June 1998</s1>
</fA09>
<fA11 i1="01" i2="1">
<s1>SAKAI (H.)</s1>
</fA11>
<fA11 i1="02" i2="1">
<s1>ANDO (Y.)</s1>
</fA11>
<fA11 i1="03" i2="1">
<s1>SETOGUCHI (H.)</s1>
</fA11>
<fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14>
<fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</fA14>
<fA18 i1="01" i2="1">
<s1>Interuniversity Centre for Acoustics and Musical Research</s1>
<s3>ITA</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="02" i2="1">
<s1>Music and Concert Hall Acoustics</s1>
<s3>JPN</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="03" i2="1">
<s1>ASA. Technical Committee of Architectural Acoustics</s1>
<s3>USA</s3>
<s9>patr.</s9>
</fA18>
<fA20>
<s1>157-169</s1>
</fA20>
<fA21>
<s1>2000</s1>
</fA21>
<fA23 i1="01">
<s0>ENG</s0>
</fA23>
<fA43 i1="01">
<s1>INIST</s1>
<s2>11530</s2>
<s5>354000087541380130</s5>
</fA43>
<fA44>
<s0>0000</s0>
<s1>© 2000 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45>
<s0>14 ref.</s0>
</fA45>
<fA47 i1="01" i2="1">
<s0>00-0262099</s0>
</fA47>
<fA60>
<s1>P</s1>
<s2>C</s2>
</fA60>
<fA61>
<s0>A</s0>
</fA61>
<fA64 i1="01" i2="1">
<s0>Journal of sound and vibration</s0>
</fA64>
<fA66 i1="01">
<s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG">
<s0>The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time T
<sub>sub</sub>
using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing T
<sub>sub</sub>
, which is one of the four orthogonal-objective parameters of sound field.</s0>
</fC01>
<fC02 i1="01" i2="X">
<s0>001B40C55</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE">
<s0>Essai</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG">
<s0>Test</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA">
<s0>Ensayo</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE">
<s0>Evaluation subjective</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG">
<s0>Subjective evaluation</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA">
<s0>Evaluación subjetiva</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE">
<s0>Signal vocal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG">
<s0>Vocal signal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA">
<s0>Señal vocal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE">
<s0>Musique</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG">
<s0>Music</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA">
<s0>Música</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE">
<s0>Temps réverbération</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG">
<s0>Reverberation time</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA">
<s0>Tiempo reverberación</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE">
<s0>Acoustique salle</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG">
<s0>Room acoustics</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA">
<s0>Acústica sala</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE">
<s0>Acoustique architecturale</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG">
<s0>Architectural acoustics</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA">
<s0>Acústica arquitectural</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE">
<s0>Méthode expérimentale</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG">
<s0>Experimental method</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA">
<s0>Método experimental</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE">
<s0>Signal acoustique</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG">
<s0>Acoustic signal</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA">
<s0>Señal acústica</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE">
<s0>Fonction autocorrélation</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG">
<s0>Autocorrelation function</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA">
<s0>Función autocorrelación</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE">
<s0>Temps retard</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="ENG">
<s0>Delay time</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="SPA">
<s0>Tiempo retardo</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE">
<s0>Analyse variance</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG">
<s0>Variance analysis</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA">
<s0>Análisis variancia</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="X" l="FRE">
<s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03>
<fN21>
<s1>178</s1>
</fN21>
</pA>
<pR>
<fA30 i1="01" i2="1" l="ENG">
<s1>Workshop on Opera House Acoustics</s1>
<s3>Seattle WA USA</s3>
<s4>1998-06</s4>
</fA30>
</pR>
</standard>
<server>
<NO>PASCAL 00-0262099 INIST</NO>
<ET>Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</ET>
<AU>SAKAI (H.); ANDO (Y.); SETOGUCHI (H.)</AU>
<AF>Graduate School of Science and Technology, Kobe University/Kobe, 657-8501/Japon (1 aut., 2 aut.); Kirishima International Concert Hall/Kagoshima, 899-6603/Japon (3 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2000; Vol. 232; No. 1; Pp. 157-169; Bibl. 14 ref.</SO>
<LA>Anglais</LA>
<EA>The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time T
<sub>sub</sub>
using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing T
<sub>sub</sub>
, which is one of the four orthogonal-objective parameters of sound field.</EA>
<CC>001B40C55</CC>
<FD>Essai; Evaluation subjective; Signal vocal; Musique; Temps réverbération; Acoustique salle; Acoustique architecturale; Méthode expérimentale; Signal acoustique; Fonction autocorrélation; Temps retard; Analyse variance; 4355</FD>
<ED>Test; Subjective evaluation; Vocal signal; Music; Reverberation time; Room acoustics; Architectural acoustics; Experimental method; Acoustic signal; Autocorrelation function; Delay time; Variance analysis</ED>
<SD>Ensayo; Evaluación subjetiva; Señal vocal; Música; Tiempo reverberación; Acústica sala; Acústica arquitectural; Método experimental; Señal acústica; Función autocorrelación; Tiempo retardo; Análisis variancia</SD>
<LO>INIST-11530.354000087541380130</LO>
<ID>00-0262099</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000727 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000727 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Pascal:00-0262099
   |texte=   Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020