Subjective preference of cellists for the delay time of a single reflection in a performance
Identifieur interne :
000718 ( PascalFrancis/Corpus );
précédent :
000717;
suivant :
000719
Subjective preference of cellists for the delay time of a single reflection in a performance
Auteurs : S. Sato ;
Y. Ando ;
S. OtaSource :
-
Journal of sound and vibration [ 0022-460X ] ; 2000.
RBID : Pascal:00-0263159
Descripteurs français
- Pascal (Inist)
- Acoustique salle,
Temps retard,
Réflexion,
Evaluation performance,
Salle concert,
Fonction autocorrélation,
Enregistreur,
Réflecteur,
Enceinte,
Signal acoustique,
Musique,
4355.
English descriptors
- KwdEn :
- Acoustic signal,
Autocorrelation function,
Concert hall,
Delay time,
Enclosure,
Music,
Performance evaluation,
Recorder,
Reflection,
Reflector,
Room acoustics.
Abstract
To provide knowledge useful in designing the stage enclosure in a concert hall, Nakayama reported the subjective preference of alto-recorder players for sound fields with a single reflection [Acustica 54, 217-221 (1984)]. The present study evaluates the subjective preferences, with regard to ease of performance, of five cello soloists for the delay time of a single reflection. The scale values of preference for the delay time of a single reflection were obtained using a paired comparison method, and the results were compared with those for the alto-recorder players and listeners. The scale values of preference for both individuals and for global cellists with regard to the delay time of reflection can be expressed by a single approximate formula, normalizing the delay time by the most-preferred delay time observed for different music motifs. A notable finding is that the most-preferred delay time of a single reflection for each cellist can be calculated from the amplitude of the reflection and the minimum value of the effective duration (τe)min of the running autocorrelation function of the music motifs played by each cellist.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
| A01 | 01 | 1 | | @0 0022-460X |
|---|
| A02 | 01 | | | @0 JSVIAG |
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| A03 | | 1 | | @0 J. sound vib. |
|---|
| A05 | | | | @2 232 |
|---|
| A06 | | | | @2 1 |
|---|
| A08 | 01 | 1 | ENG | @1 Subjective preference of cellists for the delay time of a single reflection in a performance |
|---|
| A09 | 01 | 1 | ENG | @1 Workshop on opera house acoustic, Seattle, June 1998 |
|---|
| A11 | 01 | 1 | | @1 SATO (S.) |
|---|
| A11 | 02 | 1 | | @1 ANDO (Y.) |
|---|
| A11 | 03 | 1 | | @1 OTA (S.) |
|---|
| A14 | 01 | | | @1 Graduate School of Science and Technology, Kobe University @2 Kobe 657-8501 @3 JPN @Z 1 aut. @Z 2 aut. |
|---|
| A14 | 02 | | | @1 Faculty of Engineering, Kobe University @2 Kobe 657-8501 @3 JPN @Z 3 aut. |
|---|
| A18 | 01 | 1 | | @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr. |
|---|
| A18 | 02 | 1 | | @1 Music and Concert Hall Acoustics @3 JPN @9 patr. |
|---|
| A18 | 03 | 1 | | @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr. |
|---|
| A20 | | | | @1 27-37 |
|---|
| A21 | | | | @1 2000 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A43 | 01 | | | @1 INIST @2 11530 @5 354000087541380040 |
|---|
| A44 | | | | @0 0000 @1 © 2000 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 10 ref. |
|---|
| A47 | 01 | 1 | | @0 00-0263159 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Journal of sound and vibration |
|---|
| A66 | 01 | | | @0 GBR |
|---|
| C01 | 01 | | ENG | @0 To provide knowledge useful in designing the stage enclosure in a concert hall, Nakayama reported the subjective preference of alto-recorder players for sound fields with a single reflection [Acustica 54, 217-221 (1984)]. The present study evaluates the subjective preferences, with regard to ease of performance, of five cello soloists for the delay time of a single reflection. The scale values of preference for the delay time of a single reflection were obtained using a paired comparison method, and the results were compared with those for the alto-recorder players and listeners. The scale values of preference for both individuals and for global cellists with regard to the delay time of reflection can be expressed by a single approximate formula, normalizing the delay time by the most-preferred delay time observed for different music motifs. A notable finding is that the most-preferred delay time of a single reflection for each cellist can be calculated from the amplitude of the reflection and the minimum value of the effective duration (τe)min of the running autocorrelation function of the music motifs played by each cellist. |
|---|
| C02 | 01 | X | | @0 001B40C55 |
|---|
| C03 | 01 | X | FRE | @0 Acoustique salle @5 01 |
|---|
| C03 | 01 | X | ENG | @0 Room acoustics @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Acústica sala @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Temps retard @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Delay time @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Tiempo retardo @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Réflexion @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Reflection @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Reflexión @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Evaluation performance @5 04 |
|---|
| C03 | 04 | X | ENG | @0 Performance evaluation @5 04 |
|---|
| C03 | 04 | X | SPA | @0 Evaluación prestación @5 04 |
|---|
| C03 | 05 | X | FRE | @0 Salle concert @5 05 |
|---|
| C03 | 05 | X | ENG | @0 Concert hall @5 05 |
|---|
| C03 | 05 | X | SPA | @0 Sala concierto @5 05 |
|---|
| C03 | 06 | X | FRE | @0 Fonction autocorrélation @5 06 |
|---|
| C03 | 06 | X | ENG | @0 Autocorrelation function @5 06 |
|---|
| C03 | 06 | X | SPA | @0 Función autocorrelación @5 06 |
|---|
| C03 | 07 | X | FRE | @0 Enregistreur @5 07 |
|---|
| C03 | 07 | X | ENG | @0 Recorder @5 07 |
|---|
| C03 | 07 | X | SPA | @0 Grabadora @5 07 |
|---|
| C03 | 08 | X | FRE | @0 Réflecteur @5 09 |
|---|
| C03 | 08 | X | ENG | @0 Reflector @5 09 |
|---|
| C03 | 08 | X | SPA | @0 Reflector @5 09 |
|---|
| C03 | 09 | X | FRE | @0 Enceinte @5 11 |
|---|
| C03 | 09 | X | ENG | @0 Enclosure @5 11 |
|---|
| C03 | 09 | X | SPA | @0 Recinto @5 11 |
|---|
| C03 | 10 | X | FRE | @0 Signal acoustique @5 12 |
|---|
| C03 | 10 | X | ENG | @0 Acoustic signal @5 12 |
|---|
| C03 | 10 | X | SPA | @0 Señal acústica @5 12 |
|---|
| C03 | 11 | X | FRE | @0 Musique @5 14 |
|---|
| C03 | 11 | X | ENG | @0 Music @5 14 |
|---|
| C03 | 11 | X | SPA | @0 Música @5 14 |
|---|
| C03 | 12 | X | FRE | @0 4355 @2 PAC @4 INC @5 56 |
|---|
| N21 | | | | @1 178 |
|---|
|
|---|
| pR |
| A30 | 01 | 1 | ENG | @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06 |
|---|
|
|---|
Format Inist (serveur)
| NO : | PASCAL 00-0263159 INIST |
|---|
| ET : | Subjective preference of cellists for the delay time of a single reflection in a performance |
|---|
| AU : | SATO (S.); ANDO (Y.); OTA (S.) |
|---|
| AF : | Graduate School of Science and Technology, Kobe University/Kobe 657-8501/Japon (1 aut., 2 aut.); Faculty of Engineering, Kobe University/Kobe 657-8501/Japon (3 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2000; Vol. 232; No. 1; Pp. 27-37; Bibl. 10 ref. |
|---|
| LA : | Anglais |
|---|
| EA : | To provide knowledge useful in designing the stage enclosure in a concert hall, Nakayama reported the subjective preference of alto-recorder players for sound fields with a single reflection [Acustica 54, 217-221 (1984)]. The present study evaluates the subjective preferences, with regard to ease of performance, of five cello soloists for the delay time of a single reflection. The scale values of preference for the delay time of a single reflection were obtained using a paired comparison method, and the results were compared with those for the alto-recorder players and listeners. The scale values of preference for both individuals and for global cellists with regard to the delay time of reflection can be expressed by a single approximate formula, normalizing the delay time by the most-preferred delay time observed for different music motifs. A notable finding is that the most-preferred delay time of a single reflection for each cellist can be calculated from the amplitude of the reflection and the minimum value of the effective duration (τe)min of the running autocorrelation function of the music motifs played by each cellist. |
|---|
| CC : | 001B40C55 |
|---|
| FD : | Acoustique salle; Temps retard; Réflexion; Evaluation performance; Salle concert; Fonction autocorrélation; Enregistreur; Réflecteur; Enceinte; Signal acoustique; Musique; 4355 |
|---|
| ED : | Room acoustics; Delay time; Reflection; Performance evaluation; Concert hall; Autocorrelation function; Recorder; Reflector; Enclosure; Acoustic signal; Music |
|---|
| SD : | Acústica sala; Tiempo retardo; Reflexión; Evaluación prestación; Sala concierto; Función autocorrelación; Grabadora; Reflector; Recinto; Señal acústica; Música |
|---|
| LO : | INIST-11530.354000087541380040 |
|---|
| ID : | 00-0263159 |
|---|
Links to Exploration step
Pascal:00-0263159
Le document en format XML
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<author><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
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</inist:fA14><series><title level="j" type="main">Journal of sound and vibration</title>
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<imprint><date when="2000">2000</date>
</imprint><seriesStmt><title level="j" type="main">Journal of sound and vibration</title>
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<idno type="ISSN">0022-460X</idno>
</seriesStmt><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic signal</term>
<term>Autocorrelation function</term>
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<term>Delay time</term>
<term>Enclosure</term>
<term>Music</term>
<term>Performance evaluation</term>
<term>Recorder</term>
<term>Reflection</term>
<term>Reflector</term>
<term>Room acoustics</term>
</keywords><keywords scheme="Pascal" xml:lang="fr"><term>Acoustique salle</term>
<term>Temps retard</term>
<term>Réflexion</term>
<term>Evaluation performance</term>
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<term>Fonction autocorrélation</term>
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</keywords><front><div type="abstract" xml:lang="en">To provide knowledge useful in designing the stage enclosure in a concert hall, Nakayama reported the subjective preference of alto-recorder players for sound fields with a single reflection [Acustica 54, 217-221 (1984)]. The present study evaluates the subjective preferences, with regard to ease of performance, of five cello soloists for the delay time of a single reflection. The scale values of preference for the delay time of a single reflection were obtained using a paired comparison method, and the results were compared with those for the alto-recorder players and listeners. The scale values of preference for both individuals and for global cellists with regard to the delay time of reflection can be expressed by a single approximate formula, normalizing the delay time by the most-preferred delay time observed for different music motifs. A notable finding is that the most-preferred delay time of a single reflection for each cellist can be calculated from the amplitude of the reflection and the minimum value of the effective duration (τ<sub>e</sub>
)<sub>min</sub>
of the running autocorrelation function of the music motifs played by each cellist.</div><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0022-460X</s0>
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</fA05><fA08 i1="01" i2="1" l="ENG"><s1>Subjective preference of cellists for the delay time of a single reflection in a performance</s1>
</fA08><fA09 i1="01" i2="1" l="ENG"><s1>Workshop on opera house acoustic, Seattle, June 1998</s1>
</fA09><fA11 i1="01" i2="1"><s1>SATO (S.)</s1>
</fA11><fA11 i1="02" i2="1"><s1>ANDO (Y.)</s1>
</fA11><fA11 i1="03" i2="1"><s1>OTA (S.)</s1>
</fA11><fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14><fA14 i1="02"><s1>Faculty of Engineering, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</fA14><fA18 i1="01" i2="1"><s1>Interuniversity Centre for Acoustics and Musical Research</s1>
<s3>ITA</s3>
<s9>patr.</s9>
</fA18><fA18 i1="02" i2="1"><s1>Music and Concert Hall Acoustics</s1>
<s3>JPN</s3>
<s9>patr.</s9>
</fA18><fA18 i1="03" i2="1"><s1>ASA. Technical Committee of Architectural Acoustics</s1>
<s3>USA</s3>
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<s4>1998-06</s4>
</fA30><server><NO>PASCAL 00-0263159 INIST</NO>
<ET>Subjective preference of cellists for the delay time of a single reflection in a performance</ET>
<AU>SATO (S.); ANDO (Y.); OTA (S.)</AU>
<AF>Graduate School of Science and Technology, Kobe University/Kobe 657-8501/Japon (1 aut., 2 aut.); Faculty of Engineering, Kobe University/Kobe 657-8501/Japon (3 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2000; Vol. 232; No. 1; Pp. 27-37; Bibl. 10 ref.</SO>
<LA>Anglais</LA>
<EA>To provide knowledge useful in designing the stage enclosure in a concert hall, Nakayama reported the subjective preference of alto-recorder players for sound fields with a single reflection [Acustica 54, 217-221 (1984)]. The present study evaluates the subjective preferences, with regard to ease of performance, of five cello soloists for the delay time of a single reflection. The scale values of preference for the delay time of a single reflection were obtained using a paired comparison method, and the results were compared with those for the alto-recorder players and listeners. The scale values of preference for both individuals and for global cellists with regard to the delay time of reflection can be expressed by a single approximate formula, normalizing the delay time by the most-preferred delay time observed for different music motifs. A notable finding is that the most-preferred delay time of a single reflection for each cellist can be calculated from the amplitude of the reflection and the minimum value of the effective duration (τ<sub>e</sub>
)<sub>min</sub>
of the running autocorrelation function of the music motifs played by each cellist.</EA><CC>001B40C55</CC>
<FD>Acoustique salle; Temps retard; Réflexion; Evaluation performance; Salle concert; Fonction autocorrélation; Enregistreur; Réflecteur; Enceinte; Signal acoustique; Musique; 4355</FD>
<ED>Room acoustics; Delay time; Reflection; Performance evaluation; Concert hall; Autocorrelation function; Recorder; Reflector; Enclosure; Acoustic signal; Music</ED>
<SD>Acústica sala; Tiempo retardo; Reflexión; Evaluación prestación; Sala concierto; Función autocorrelación; Grabadora; Reflector; Recinto; Señal acústica; Música</SD>
<LO>INIST-11530.354000087541380040</LO>
<ID>00-0263159</ID>
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