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The virtual orchestra: Technical and creative issues

Identifieur interne : 000717 ( PascalFrancis/Corpus ); précédent : 000716; suivant : 000718

The virtual orchestra: Technical and creative issues

Auteurs : F. W. Bianchi ; R. H. Campbell

Source :

RBID : Pascal:00-0263233

Descripteurs français

English descriptors

Abstract

The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

pA  
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A02 01      @0 JSVIAG
A03   1    @0 J. sound vib.
A05       @2 232
A06       @2 1
A08 01  1  ENG  @1 The virtual orchestra: Technical and creative issues
A09 01  1  ENG  @1 Workshop on opera house acoustic, Seattle, June 1998
A11 01  1    @1 BIANCHI (F. W.)
A11 02  1    @1 CAMPBELL (R. H.)
A14 01      @1 Department of Humanities and Arts, Worcester Polytechnic Institute @2 Worcester, Massachusetts @3 USA @Z 1 aut.
A14 02      @1 Department of Electrical and Computer Engineering, Worcester Polytechnic Institute @2 Worcester, Massachusetts @3 USA @Z 2 aut.
A18 01  1    @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr.
A18 02  1    @1 Music and Concert Hall Acoustics @3 JPN @9 patr.
A18 03  1    @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr.
A20       @1 275-279
A21       @1 2000
A23 01      @0 ENG
A43 01      @1 INIST @2 11530 @5 354000087541380210
A44       @0 0000 @1 © 2000 INIST-CNRS. All rights reserved.
A47 01  1    @0 00-0263233
A60       @1 P @2 C
A61       @0 A
A64 01  1    @0 Journal of sound and vibration
A66 01      @0 GBR
C01 01    ENG  @0 The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.
C02 01  X    @0 001B40C55
C03 01  X  FRE  @0 Réalité virtuelle @5 01
C03 01  X  ENG  @0 Virtual reality @5 01
C03 01  X  SPA  @0 Realidad virtual @5 01
C03 02  X  FRE  @0 Orchestre @5 02
C03 02  X  ENG  @0 Orchestra @5 02
C03 02  X  SPA  @0 Orquesta @5 02
C03 03  X  FRE  @0 Opéra bâtiment @5 03
C03 03  X  ENG  @0 Opera(building) @5 03
C03 03  X  SPA  @0 Ópera(edificio) @5 03
C03 04  X  FRE  @0 Théâtre bâtiment @5 04
C03 04  X  ENG  @0 Theatre(building) @5 04
C03 04  X  SPA  @0 Teatro construcción @5 04
C03 05  X  FRE  @0 Implémentation @5 05
C03 05  X  ENG  @0 Implementation @5 05
C03 05  X  SPA  @0 Ejecución @5 05
C03 06  X  FRE  @0 Outil logiciel @5 06
C03 06  X  ENG  @0 Software tool @5 06
C03 06  X  SPA  @0 Herramienta (controlada por ) logicial @5 06
C03 07  X  FRE  @0 Musicien @5 07
C03 07  X  ENG  @0 Musician @5 07
C03 07  X  SPA  @0 Músico @5 07
C03 08  X  FRE  @0 Acoustique salle @5 08
C03 08  X  ENG  @0 Room acoustics @5 08
C03 08  X  SPA  @0 Acústica sala @5 08
C03 09  X  FRE  @0 4355 @2 PAC @4 INC @5 56
N21       @1 178
pR  
A30 01  1  ENG  @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06

Format Inist (serveur)

NO : PASCAL 00-0263233 INIST
ET : The virtual orchestra: Technical and creative issues
AU : BIANCHI (F. W.); CAMPBELL (R. H.)
AF : Department of Humanities and Arts, Worcester Polytechnic Institute/Worcester, Massachusetts/Etats-Unis (1 aut.); Department of Electrical and Computer Engineering, Worcester Polytechnic Institute/Worcester, Massachusetts/Etats-Unis (2 aut.)
DT : Publication en série; Congrès; Niveau analytique
SO : Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2000; Vol. 232; No. 1; Pp. 275-279
LA : Anglais
EA : The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.
CC : 001B40C55
FD : Réalité virtuelle; Orchestre; Opéra bâtiment; Théâtre bâtiment; Implémentation; Outil logiciel; Musicien; Acoustique salle; 4355
ED : Virtual reality; Orchestra; Opera(building); Theatre(building); Implementation; Software tool; Musician; Room acoustics
SD : Realidad virtual; Orquesta; Ópera(edificio); Teatro construcción; Ejecución; Herramienta (controlada por ) logicial; Músico; Acústica sala
LO : INIST-11530.354000087541380210
ID : 00-0263233

Links to Exploration step

Pascal:00-0263233

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