Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house
Identifieur interne :
000546 ( PascalFrancis/Corpus );
précédent :
000545;
suivant :
000547
Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house
Auteurs : S. Sato ;
H. Sakai ;
N. ProdiSource :
-
Journal of sound and vibration [ 0022-460X ] ; 2002.
RBID : Pascal:03-0083855
Descripteurs français
- Pascal (Inist)
- Acoustique salle,
Salle concert,
Audition binaurale,
Réponse impulsion,
Source sonore,
Localisation,
Psychoacoustique,
Temps interauriculaire,
Acoustique musicale,
Corrélation croisée,
Fonction corrélation,
Etude expérimentale,
4355.
English descriptors
- KwdEn :
- Binaural hearing,
Concert hall,
Correlation function,
Cross correlation,
Experimental study,
Interaural time,
Localization,
Musical acoustics,
Psychoacoustics,
Pulse response,
Room acoustics,
Sound source.
Abstract
The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τIACC, Δt1 for the pit source, Δt1 for the stage, Tsub for the pit source, and Tsub for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
| A01 | 01 | 1 | | @0 0022-460X |
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| A02 | 01 | | | @0 JSVIAG |
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| A03 | | 1 | | @0 J. sound vib. |
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| A05 | | | | @2 258 |
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| A06 | | | | @2 3 |
|---|
| A08 | 01 | 1 | ENG | @1 Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house |
|---|
| A09 | 01 | 1 | ENG | @1 Concert hall acoustics and opera house acoustics |
|---|
| A11 | 01 | 1 | | @1 SATO (S.) |
|---|
| A11 | 02 | 1 | | @1 SAKAI (H.) |
|---|
| A11 | 03 | 1 | | @1 PRODI (N.) |
|---|
| A12 | 01 | 1 | | @1 ANDO (Y.) @9 ed. |
|---|
| A12 | 02 | 1 | | @1 POMPOLI (R.) @9 ed. |
|---|
| A14 | 01 | | | @1 Graduate School of Science and Technology, Kobe University, Rokkodai @2 Nada, Kobe 657-8501 @3 JPN @Z 1 aut. @Z 2 aut. |
|---|
| A14 | 02 | | | @1 Dipartimento di Ingegneria, Universitá di Ferrara, Via Saragat @2 44100 Ferrara @3 ITA @Z 3 aut. |
|---|
| A15 | 01 | | | @1 Graduate School of Science and Technology, Kobe University, Rokkodai, Nada @2 Kobe 657-8501 @3 JPN @Z 1 aut. |
|---|
| A15 | 02 | | | @1 Faculty of Engineering, University of Ferrara, Via Saragat @2 44 100 Ferrara @3 ITA @Z 2 aut. |
|---|
| A20 | | | | @1 549-561 |
|---|
| A21 | | | | @1 2002 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A43 | 01 | | | @1 INIST @2 11530 @5 354000106824750120 |
|---|
| A44 | | | | @0 0000 @1 © 2003 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 16 ref. |
|---|
| A47 | 01 | 1 | | @0 03-0083855 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Journal of sound and vibration |
|---|
| A66 | 01 | | | @0 GBR |
|---|
| C01 | 01 | | ENG | @0 The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τIACC, Δt1 for the pit source, Δt1 for the stage, Tsub for the pit source, and Tsub for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement. |
|---|
| C02 | 01 | X | | @0 001B40C55 |
|---|
| C03 | 01 | X | FRE | @0 Acoustique salle @5 01 |
|---|
| C03 | 01 | X | ENG | @0 Room acoustics @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Acústica sala @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Salle concert @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Concert hall @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Sala concierto @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Audition binaurale @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Binaural hearing @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Audición binaural @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Réponse impulsion @5 04 |
|---|
| C03 | 04 | X | ENG | @0 Pulse response @5 04 |
|---|
| C03 | 04 | X | SPA | @0 Respuesta impulsión @5 04 |
|---|
| C03 | 05 | X | FRE | @0 Source sonore @5 05 |
|---|
| C03 | 05 | X | ENG | @0 Sound source @5 05 |
|---|
| C03 | 05 | X | SPA | @0 Fuente sonora @5 05 |
|---|
| C03 | 06 | X | FRE | @0 Localisation @5 06 |
|---|
| C03 | 06 | X | ENG | @0 Localization @5 06 |
|---|
| C03 | 06 | X | SPA | @0 Localización @5 06 |
|---|
| C03 | 07 | X | FRE | @0 Psychoacoustique @5 07 |
|---|
| C03 | 07 | X | ENG | @0 Psychoacoustics @5 07 |
|---|
| C03 | 07 | X | SPA | @0 Psicoacústico @5 07 |
|---|
| C03 | 08 | X | FRE | @0 Temps interauriculaire @5 10 |
|---|
| C03 | 08 | X | ENG | @0 Interaural time @5 10 |
|---|
| C03 | 08 | X | SPA | @0 Tiempo interauricular @5 10 |
|---|
| C03 | 09 | X | FRE | @0 Acoustique musicale @5 12 |
|---|
| C03 | 09 | X | ENG | @0 Musical acoustics @5 12 |
|---|
| C03 | 09 | X | SPA | @0 Acústica musical @5 12 |
|---|
| C03 | 10 | X | FRE | @0 Corrélation croisée @5 17 |
|---|
| C03 | 10 | X | ENG | @0 Cross correlation @5 17 |
|---|
| C03 | 10 | X | SPA | @0 Correlación cruzada @5 17 |
|---|
| C03 | 11 | X | FRE | @0 Fonction corrélation @5 18 |
|---|
| C03 | 11 | X | ENG | @0 Correlation function @5 18 |
|---|
| C03 | 11 | X | SPA | @0 Función correlación @5 18 |
|---|
| C03 | 12 | X | FRE | @0 Etude expérimentale @5 25 |
|---|
| C03 | 12 | X | ENG | @0 Experimental study @5 25 |
|---|
| C03 | 12 | X | SPA | @0 Estudio experimental @5 25 |
|---|
| C03 | 13 | X | FRE | @0 4355 @2 PAC @4 INC @5 56 |
|---|
| N21 | | | | @1 048 |
|---|
| N82 | | | | @1 PSI |
|---|
|
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| pR |
| A30 | 01 | 1 | ENG | @1 ICA: International Conference on Acoustics @2 17 @3 Rome ITA @4 2001-09-03 |
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|
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Format Inist (serveur)
| NO : | PASCAL 03-0083855 INIST |
|---|
| ET : | Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house |
|---|
| AU : | SATO (S.); SAKAI (H.); PRODI (N.); ANDO (Y.); POMPOLI (R.) |
|---|
| AF : | Graduate School of Science and Technology, Kobe University, Rokkodai/Nada, Kobe 657-8501/Japon (1 aut., 2 aut.); Dipartimento di Ingegneria, Universitá di Ferrara, Via Saragat/44100 Ferrara/Italie (3 aut.); Graduate School of Science and Technology, Kobe University, Rokkodai, Nada/Kobe 657-8501/Japon (1 aut.); Faculty of Engineering, University of Ferrara, Via Saragat/44 100 Ferrara/Italie (2 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2002; Vol. 258; No. 3; Pp. 549-561; Bibl. 16 ref. |
|---|
| LA : | Anglais |
|---|
| EA : | The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τIACC, Δt1 for the pit source, Δt1 for the stage, Tsub for the pit source, and Tsub for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement. |
|---|
| CC : | 001B40C55 |
|---|
| FD : | Acoustique salle; Salle concert; Audition binaurale; Réponse impulsion; Source sonore; Localisation; Psychoacoustique; Temps interauriculaire; Acoustique musicale; Corrélation croisée; Fonction corrélation; Etude expérimentale; 4355 |
|---|
| ED : | Room acoustics; Concert hall; Binaural hearing; Pulse response; Sound source; Localization; Psychoacoustics; Interaural time; Musical acoustics; Cross correlation; Correlation function; Experimental study |
|---|
| SD : | Acústica sala; Sala concierto; Audición binaural; Respuesta impulsión; Fuente sonora; Localización; Psicoacústico; Tiempo interauricular; Acústica musical; Correlación cruzada; Función correlación; Estudio experimental |
|---|
| LO : | INIST-11530.354000106824750120 |
|---|
| ID : | 03-0083855 |
|---|
Links to Exploration step
Pascal:03-0083855
Le document en format XML
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<term>Interaural time</term>
<term>Localization</term>
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<term>Room acoustics</term>
<term>Sound source</term>
</keywords><keywords scheme="Pascal" xml:lang="fr"><term>Acoustique salle</term>
<term>Salle concert</term>
<term>Audition binaurale</term>
<term>Réponse impulsion</term>
<term>Source sonore</term>
<term>Localisation</term>
<term>Psychoacoustique</term>
<term>Temps interauriculaire</term>
<term>Acoustique musicale</term>
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</keywords><front><div type="abstract" xml:lang="en">The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τ<sub>IACC</sub>
, Δt<sub>1</sub>
for the pit source, Δt<sub>1</sub>
for the stage, T<sub>sub</sub>
for the pit source, and T<sub>sub</sub>
for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement.</div><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0022-460X</s0>
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</fA02><fA03 i2="1"><s0>J. sound vib.</s0>
</fA03><fA05><s2>258</s2>
</fA05><fA08 i1="01" i2="1" l="ENG"><s1>Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house</s1>
</fA08><fA09 i1="01" i2="1" l="ENG"><s1>Concert hall acoustics and opera house acoustics</s1>
</fA09><fA11 i1="01" i2="1"><s1>SATO (S.)</s1>
</fA11><fA11 i1="02" i2="1"><s1>SAKAI (H.)</s1>
</fA11><fA11 i1="03" i2="1"><s1>PRODI (N.)</s1>
</fA11><fA12 i1="01" i2="1"><s1>ANDO (Y.)</s1>
<s9>ed.</s9>
</fA12><fA12 i1="02" i2="1"><s1>POMPOLI (R.)</s1>
<s9>ed.</s9>
</fA12><fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14><fA14 i1="02"><s1>Dipartimento di Ingegneria, Universitá di Ferrara, Via Saragat</s1>
<s2>44100 Ferrara</s2>
<s3>ITA</s3>
<sZ>3 aut.</sZ>
</fA14><fA15 i1="01"><s1>Graduate School of Science and Technology, Kobe University, Rokkodai, Nada</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
</fA15><fA15 i1="02"><s1>Faculty of Engineering, University of Ferrara, Via Saragat</s1>
<s2>44 100 Ferrara</s2>
<s3>ITA</s3>
<sZ>2 aut.</sZ>
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</fA66><fC01 i1="01" l="ENG"><s0>The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τ<sub>IACC</sub>
, Δt<sub>1</sub>
for the pit source, Δt<sub>1</sub>
for the stage, T<sub>sub</sub>
for the pit source, and T<sub>sub</sub>
for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement.</s0><fC02 i1="01" i2="X"><s0>001B40C55</s0>
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<s5>01</s5>
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<s5>01</s5>
</fC03><fC03 i1="02" i2="X" l="FRE"><s0>Salle concert</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="ENG"><s0>Concert hall</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="SPA"><s0>Sala concierto</s0>
<s5>02</s5>
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<s5>03</s5>
</fC03><fC03 i1="04" i2="X" l="FRE"><s0>Réponse impulsion</s0>
<s5>04</s5>
</fC03><fC03 i1="04" i2="X" l="ENG"><s0>Pulse response</s0>
<s5>04</s5>
</fC03><fC03 i1="04" i2="X" l="SPA"><s0>Respuesta impulsión</s0>
<s5>04</s5>
</fC03><fC03 i1="05" i2="X" l="FRE"><s0>Source sonore</s0>
<s5>05</s5>
</fC03><fC03 i1="05" i2="X" l="ENG"><s0>Sound source</s0>
<s5>05</s5>
</fC03><fC03 i1="05" i2="X" l="SPA"><s0>Fuente sonora</s0>
<s5>05</s5>
</fC03><fC03 i1="06" i2="X" l="FRE"><s0>Localisation</s0>
<s5>06</s5>
</fC03><fC03 i1="06" i2="X" l="ENG"><s0>Localization</s0>
<s5>06</s5>
</fC03><fC03 i1="06" i2="X" l="SPA"><s0>Localización</s0>
<s5>06</s5>
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<s5>07</s5>
</fC03><fC03 i1="07" i2="X" l="ENG"><s0>Psychoacoustics</s0>
<s5>07</s5>
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<s5>07</s5>
</fC03><fC03 i1="08" i2="X" l="FRE"><s0>Temps interauriculaire</s0>
<s5>10</s5>
</fC03><fC03 i1="08" i2="X" l="ENG"><s0>Interaural time</s0>
<s5>10</s5>
</fC03><fC03 i1="08" i2="X" l="SPA"><s0>Tiempo interauricular</s0>
<s5>10</s5>
</fC03><fC03 i1="09" i2="X" l="FRE"><s0>Acoustique musicale</s0>
<s5>12</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>Musical acoustics</s0>
<s5>12</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Acústica musical</s0>
<s5>12</s5>
</fC03><fC03 i1="10" i2="X" l="FRE"><s0>Corrélation croisée</s0>
<s5>17</s5>
</fC03><fC03 i1="10" i2="X" l="ENG"><s0>Cross correlation</s0>
<s5>17</s5>
</fC03><fC03 i1="10" i2="X" l="SPA"><s0>Correlación cruzada</s0>
<s5>17</s5>
</fC03><fC03 i1="11" i2="X" l="FRE"><s0>Fonction corrélation</s0>
<s5>18</s5>
</fC03><fC03 i1="11" i2="X" l="ENG"><s0>Correlation function</s0>
<s5>18</s5>
</fC03><fC03 i1="11" i2="X" l="SPA"><s0>Función correlación</s0>
<s5>18</s5>
</fC03><fC03 i1="12" i2="X" l="FRE"><s0>Etude expérimentale</s0>
<s5>25</s5>
</fC03><fC03 i1="12" i2="X" l="ENG"><s0>Experimental study</s0>
<s5>25</s5>
</fC03><fC03 i1="12" i2="X" l="SPA"><s0>Estudio experimental</s0>
<s5>25</s5>
</fC03><fC03 i1="13" i2="X" l="FRE"><s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03><fN21><s1>048</s1>
</fN21><fN82><s1>PSI</s1>
</fN82><pR><fA30 i1="01" i2="1" l="ENG"><s1>ICA: International Conference on Acoustics</s1>
<s2>17</s2>
<s3>Rome ITA</s3>
<s4>2001-09-03</s4>
</fA30><server><NO>PASCAL 03-0083855 INIST</NO>
<ET>Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house</ET>
<AU>SATO (S.); SAKAI (H.); PRODI (N.); ANDO (Y.); POMPOLI (R.)</AU>
<AF>Graduate School of Science and Technology, Kobe University, Rokkodai/Nada, Kobe 657-8501/Japon (1 aut., 2 aut.); Dipartimento di Ingegneria, Universitá di Ferrara, Via Saragat/44100 Ferrara/Italie (3 aut.); Graduate School of Science and Technology, Kobe University, Rokkodai, Nada/Kobe 657-8501/Japon (1 aut.); Faculty of Engineering, University of Ferrara, Via Saragat/44 100 Ferrara/Italie (2 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2002; Vol. 258; No. 3; Pp. 549-561; Bibl. 16 ref.</SO>
<LA>Anglais</LA>
<EA>The present study investigates whether the subjective preference theory can be applied to the sound field in an opera house. Paired-comparison tests were conducted to obtain scale values of subjective preference. As the source locations of the music on the stage and in the orchestra pit were moved, listeners were asked to give their acoustical preference. The acoustical factors at each listening position were obtained from the interaural cross-correlation function and binaural impulse responses measured at each listening position. The relationship between the scale values of subjective preference and orthogonal acoustical factors (LL, IACC, τ<sub>IACC</sub>
, Δt<sub>1</sub>
for the pit source, Δt<sub>1</sub>
for the stage, T<sub>sub</sub>
for the pit source, and T<sub>sub</sub>
for the stage source) was determined by using factor analysis, which shows that the preference theory is applicable. Total scores obtained from factor analysis and measured scale values are in good agreement.</EA><CC>001B40C55</CC>
<FD>Acoustique salle; Salle concert; Audition binaurale; Réponse impulsion; Source sonore; Localisation; Psychoacoustique; Temps interauriculaire; Acoustique musicale; Corrélation croisée; Fonction corrélation; Etude expérimentale; 4355</FD>
<ED>Room acoustics; Concert hall; Binaural hearing; Pulse response; Sound source; Localization; Psychoacoustics; Interaural time; Musical acoustics; Cross correlation; Correlation function; Experimental study</ED>
<SD>Acústica sala; Sala concierto; Audición binaural; Respuesta impulsión; Fuente sonora; Localización; Psicoacústico; Tiempo interauricular; Acústica musical; Correlación cruzada; Función correlación; Estudio experimental</SD>
<LO>INIST-11530.354000106824750120</LO>
<ID>03-0083855</ID>
</server>
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