OperaV1, PascalFrancis, Corpus, bibRecord, 000543

Melisma singing and preferred stage acoustics for singers

Identifieur interne : 000543 ( PascalFrancis/Corpus ); précédent : 000542; suivant : 000544

Melisma singing and preferred stage acoustics for singers

Auteurs : D. Noson ; S. Sato ; H. Sakai ; Y. Ando

Source :

Journal of sound and vibration [ 0022-460X ] ; 2002.

RBID : Pascal:03-0084307

Descripteurs français

Pascal (Inist)
- Acoustique musicale, Acoustique salle, Salle concert, Chant, Fonction autocorrélation, Temps retard, 4355, 4375.

English descriptors

KwdEn :
- Autocorrelation function, Concert hall, Delay time, Musical acoustics, Room acoustics, Song.

Abstract

Vocal performance characteristics, such as tempo, colour, and expressiveness of singers are part of the unique artistic impression of individual performers and individual performances. Subjective pair-comparison studies of singers in a previous study demonstrated that singers prefer added reflections with delays in the range of 10-20 ms. However, the range of values between singers, for the effective duration of the autocorrelation of the singer's voice, was limited, and insufficient to demonstrate a relationship between individual vocal characteristics and the preferred delay time of reflections. In this study, to investigate the singer's preferred acoustics with a change in singing style, subjects were asked to perform non-plosive, non-fricative text for the lyrics, using exclusively "la" syllables (melisma singing). A resulting shift in preferred time delay was observed. The extent of the shift in preferred reflection time delays is shown to be directly related to the minima of the effective duration of the running autocorrelation function calculated from each singer's voice. Singers were also subjected to training, to assist in identifying sound fields. After training, the average preferred delay time of the reflection did not change, but the statistical variability of the singer's subjective rating of the sound fields was strongly reduced.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

A01	`01`	`1`		`@0 0022-460X`
A02	`01`			`@0 JSVIAG`
A03		`1`		`@0 J. sound vib.`
A05				`@2 258`
A06				`@2 3`
A08	`01`	`1`	`ENG`	`@1 Melisma singing and preferred stage acoustics for singers`
A09	`01`	`1`	`ENG`	`@1 Concert hall acoustics and opera house acoustics`
A11	`01`	`1`		`@1 NOSON (D.)`
A11	`02`	`1`		`@1 SATO (S.)`
A11	`03`	`1`		`@1 SAKAI (H.)`
A11	`04`	`1`		`@1 ANDO (Y.)`
A12	`01`	`1`		`@1 ANDO (Y.) @9 ed.`
A12	`02`	`1`		`@1 POMPOLI (R.) @9 ed.`
A14	`01`			`@1 Graduate School of Science and Technology, Kobe University @2 Kobe 657-8501 @3 JPN @Z 1 aut. @Z 2 aut. @Z 3 aut. @Z 4 aut.`
A14	`02`			`@1 BRC Acoustics, 1741 First Avenue South, Suite 401 @2 Seattle, WA 98134 @3 USA @Z 1 aut.`
A15	`01`			`@1 Graduate School of Science and Technology, Kobe University, Rokkodai, Nada @2 Kobe 657-8501 @3 JPN @Z 1 aut.`
A15	`02`			`@1 Faculty of Engineering, University of Ferrara, Via Saragat @2 44 100 Ferrara @3 ITA @Z 2 aut.`
A20				`@1 473-485`
A21				`@1 2002`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 11530 @5 354000106824750070`
A44				`@0 0000 @1 © 2003 INIST-CNRS. All rights reserved.`
A45				`@0 14 ref.`
A47	`01`	`1`		`@0 03-0084307`
A60				`@1 P @2 C`
A61				`@0 A`
A64	`01`	`1`		`@0 Journal of sound and vibration`
A66	`01`			`@0 GBR`
C01	`01`		`ENG`	@0 Vocal performance characteristics, such as tempo, colour, and expressiveness of singers are part of the unique artistic impression of individual performers and individual performances. Subjective pair-comparison studies of singers in a previous study demonstrated that singers prefer added reflections with delays in the range of 10-20 ms. However, the range of values between singers, for the effective duration of the autocorrelation of the singer's voice, was limited, and insufficient to demonstrate a relationship between individual vocal characteristics and the preferred delay time of reflections. In this study, to investigate the singer's preferred acoustics with a change in singing style, subjects were asked to perform non-plosive, non-fricative text for the lyrics, using exclusively "la" syllables (melisma singing). A resulting shift in preferred time delay was observed. The extent of the shift in preferred reflection time delays is shown to be directly related to the minima of the effective duration of the running autocorrelation function calculated from each singer's voice. Singers were also subjected to training, to assist in identifying sound fields. After training, the average preferred delay time of the reflection did not change, but the statistical variability of the singer's subjective rating of the sound fields was strongly reduced.
C02	`01`	`X`		`@0 001B40C55`
C02	`02`	`X`		`@0 001B40C75`
C03	`01`	`X`	`FRE`	`@0 Acoustique musicale @5 03`
C03	`01`	`X`	`ENG`	`@0 Musical acoustics @5 03`
C03	`01`	`X`	`SPA`	`@0 Acústica musical @5 03`
C03	`02`	`X`	`FRE`	`@0 Acoustique salle @5 04`
C03	`02`	`X`	`ENG`	`@0 Room acoustics @5 04`
C03	`02`	`X`	`SPA`	`@0 Acústica sala @5 04`
C03	`03`	`X`	`FRE`	`@0 Salle concert @5 05`
C03	`03`	`X`	`ENG`	`@0 Concert hall @5 05`
C03	`03`	`X`	`SPA`	`@0 Sala concierto @5 05`
C03	`04`	`X`	`FRE`	`@0 Chant @5 06`
C03	`04`	`X`	`ENG`	`@0 Song @5 06`
C03	`04`	`X`	`SPA`	`@0 Canto @5 06`
C03	`05`	`X`	`FRE`	`@0 Fonction autocorrélation @5 17`
C03	`05`	`X`	`ENG`	`@0 Autocorrelation function @5 17`
C03	`05`	`X`	`SPA`	`@0 Función autocorrelación @5 17`
C03	`06`	`X`	`FRE`	`@0 Temps retard @5 18`
C03	`06`	`X`	`ENG`	`@0 Delay time @5 18`
C03	`06`	`X`	`SPA`	`@0 Tiempo retardo @5 18`
C03	`07`	`X`	`FRE`	`@0 4355 @2 PAC @4 INC @5 56`
C03	`08`	`X`	`FRE`	`@0 4375 @2 PAC @4 INC @5 57`
N21				`@1 048`
N82				`@1 PSI`

A30	`01`	`1`	`ENG`	`@1 ICA: International Conference on Acoustics @2 17 @3 Rome ITA @4 2001-09-03`

Format Inist (serveur)

NO :	PASCAL 03-0084307 INIST
ET :	Melisma singing and preferred stage acoustics for singers
AU :	NOSON (D.); SATO (S.); SAKAI (H.); ANDO (Y.); ANDO (Y.); POMPOLI (R.)
AF :	Graduate School of Science and Technology, Kobe University/Kobe 657-8501/Japon (1 aut., 2 aut., 3 aut., 4 aut.); BRC Acoustics, 1741 First Avenue South, Suite 401/Seattle, WA 98134/Etats-Unis (1 aut.); Graduate School of Science and Technology, Kobe University, Rokkodai, Nada/Kobe 657-8501/Japon (1 aut.); Faculty of Engineering, University of Ferrara, Via Saragat/44 100 Ferrara/Italie (2 aut.)
DT :	Publication en série; Congrès; Niveau analytique
SO :	Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2002; Vol. 258; No. 3; Pp. 473-485; Bibl. 14 ref.
LA :	Anglais
EA :	Vocal performance characteristics, such as tempo, colour, and expressiveness of singers are part of the unique artistic impression of individual performers and individual performances. Subjective pair-comparison studies of singers in a previous study demonstrated that singers prefer added reflections with delays in the range of 10-20 ms. However, the range of values between singers, for the effective duration of the autocorrelation of the singer's voice, was limited, and insufficient to demonstrate a relationship between individual vocal characteristics and the preferred delay time of reflections. In this study, to investigate the singer's preferred acoustics with a change in singing style, subjects were asked to perform non-plosive, non-fricative text for the lyrics, using exclusively "la" syllables (melisma singing). A resulting shift in preferred time delay was observed. The extent of the shift in preferred reflection time delays is shown to be directly related to the minima of the effective duration of the running autocorrelation function calculated from each singer's voice. Singers were also subjected to training, to assist in identifying sound fields. After training, the average preferred delay time of the reflection did not change, but the statistical variability of the singer's subjective rating of the sound fields was strongly reduced.
CC :	001B40C55; 001B40C75
FD :	Acoustique musicale; Acoustique salle; Salle concert; Chant; Fonction autocorrélation; Temps retard; 4355; 4375
ED :	Musical acoustics; Room acoustics; Concert hall; Song; Autocorrelation function; Delay time
SD :	Acústica musical; Acústica sala; Sala concierto; Canto; Función autocorrelación; Tiempo retardo
LO :	INIST-11530.354000106824750070
ID :	03-0084307

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Pascal:03-0084307

Le document en format XML

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<front><div type="abstract" xml:lang="en">Vocal performance characteristics, such as tempo, colour, and expressiveness of singers are part of the unique artistic impression of individual performers and individual performances. Subjective pair-comparison studies of singers in a previous study demonstrated that singers prefer added reflections with delays in the range of 10-20 ms. However, the range of values between singers, for the effective duration of the autocorrelation of the singer's voice, was limited, and insufficient to demonstrate a relationship between individual vocal characteristics and the preferred delay time of reflections. In this study, to investigate the singer's preferred acoustics with a change in singing style, subjects were asked to perform non-plosive, non-fricative text for the lyrics, using exclusively "la" syllables (melisma singing). A resulting shift in preferred time delay was observed. The extent of the shift in preferred reflection time delays is shown to be directly related to the minima of the effective duration of the running autocorrelation function calculated from each singer's voice. Singers were also subjected to training, to assist in identifying sound fields. After training, the average preferred delay time of the reflection did not change, but the statistical variability of the singer's subjective rating of the sound fields was strongly reduced.</div>
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<ET>Melisma singing and preferred stage acoustics for singers</ET>
<AU>NOSON (D.); SATO (S.); SAKAI (H.); ANDO (Y.); ANDO (Y.); POMPOLI (R.)</AU>
<AF>Graduate School of Science and Technology, Kobe University/Kobe 657-8501/Japon (1 aut., 2 aut., 3 aut., 4 aut.); BRC Acoustics, 1741 First Avenue South, Suite 401/Seattle, WA 98134/Etats-Unis (1 aut.); Graduate School of Science and Technology, Kobe University, Rokkodai, Nada/Kobe 657-8501/Japon (1 aut.); Faculty of Engineering, University of Ferrara, Via Saragat/44 100 Ferrara/Italie (2 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Journal of sound and vibration; ISSN 0022-460X; Coden JSVIAG; Royaume-Uni; Da. 2002; Vol. 258; No. 3; Pp. 473-485; Bibl. 14 ref.</SO>
<LA>Anglais</LA>
<EA>Vocal performance characteristics, such as tempo, colour, and expressiveness of singers are part of the unique artistic impression of individual performers and individual performances. Subjective pair-comparison studies of singers in a previous study demonstrated that singers prefer added reflections with delays in the range of 10-20 ms. However, the range of values between singers, for the effective duration of the autocorrelation of the singer's voice, was limited, and insufficient to demonstrate a relationship between individual vocal characteristics and the preferred delay time of reflections. In this study, to investigate the singer's preferred acoustics with a change in singing style, subjects were asked to perform non-plosive, non-fricative text for the lyrics, using exclusively "la" syllables (melisma singing). A resulting shift in preferred time delay was observed. The extent of the shift in preferred reflection time delays is shown to be directly related to the minima of the effective duration of the running autocorrelation function calculated from each singer's voice. Singers were also subjected to training, to assist in identifying sound fields. After training, the average preferred delay time of the reflection did not change, but the statistical variability of the singer's subjective rating of the sound fields was strongly reduced.</EA>
<CC>001B40C55; 001B40C75</CC>
<FD>Acoustique musicale; Acoustique salle; Salle concert; Chant; Fonction autocorrélation; Temps retard; 4355; 4375</FD>
<ED>Musical acoustics; Room acoustics; Concert hall; Song; Autocorrelation function; Delay time</ED>
<SD>Acústica musical; Acústica sala; Sala concierto; Canto; Función autocorrelación; Tiempo retardo</SD>
<LO>INIST-11530.354000106824750070</LO>
<ID>03-0084307</ID>
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Melisma singing and preferred stage acoustics for singers

Melisma singing and preferred stage acoustics for singers

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