Unifying performer and accompaniment
Identifieur interne :
000288 ( PascalFrancis/Corpus );
précédent :
000287;
suivant :
000289
Unifying performer and accompaniment
Auteurs : Lars GraugaardSource :
-
Lecture notes in computer science [ 0302-9743 ] ; 2006.
RBID : Pascal:08-0036216
Descripteurs français
- Pascal (Inist)
- Acoustique audio,
Recherche information,
Musique,
Système temps réel,
Système information,
Audition,
Tonie,
Chanteur,
Acoustique musicale,
Voix,
Structure ordinateur,
Intention,
Etude expérimentale.
English descriptors
- KwdEn :
- Audio acoustics,
Computer structure,
Experimental study,
Hearing,
Information retrieval,
Information system,
Intention,
Music,
Musical acoustics,
Pitch(acoustics),
Real time system,
Singer,
Voice.
Abstract
A unique real time system for correlating a vocal, musical performance to an electronic accompaniment is presented. The system has been implemented and tested extensively in performance in the author's opera 'La Quintrala', and experience with its use in practice is presented. Furthermore, the system's functionality is outlined, it is put into current research perspective, and its possibilities for further development and other usages is discussed. The system correlates voice analysis to an underlying chord structure, stored in computer memory. This chord structure defines the primary supportive pitches, and links the notated and electronic score together, addressing the needs of the singer for tonal indicators' at any given moment. A computer-generated note is initiated by a combination of the singer - by the onset of a note, or by some element in the continuous spectrum of the singing - and the computer through an accompaniment algorithm. The evolution of this relationship between singer and computer is predefined in the application according to the structural intentions of the score, and is affected by the musical and expressive efforts of the singer. The combination of singer and computer influencing the execution of the accompaniment creates a dynamic, musical interplay between singer and computer, and is a very fertile musical area for a composer's combined computer programming and score writing.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
| A01 | 01 | 1 | | @0 0302-9743 |
|---|
| A05 | | | | @2 3902 |
|---|
| A08 | 01 | 1 | ENG | @1 Unifying performer and accompaniment |
|---|
| A09 | 01 | 1 | ENG | @1 Computer music modeling and retrieval : Texte imprimé : Third international symposium, CMMR 2005, Pisa, Italy, September 26-28, 2005 : revised papers |
|---|
| A11 | 01 | 1 | | @1 GRAUGAARD (Lars) |
|---|
| A12 | 01 | 1 | | @1 KRONLAND-MARTINET (Richard) @9 ed. |
|---|
| A12 | 02 | 1 | | @1 VOINIER (Thierry) @9 ed. |
|---|
| A12 | 03 | 1 | | @1 YSTAD (Sølvi) @9 ed. |
|---|
| A14 | 01 | | | @1 Aalborg University Esbjerg, Department of Software and Media Technology, Niels Bohrs Vej 6 @2 6700 Esbjerg @3 DNK @Z 1 aut. |
|---|
| A20 | | | | @1 169-184 |
|---|
| A21 | | | | @1 2006 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A26 | 01 | | | @0 3-540-34027-0 |
|---|
| A43 | 01 | | | @1 INIST @2 16343 @5 354000153589310160 |
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| A44 | | | | @0 0000 @1 © 2008 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 34 ref. |
|---|
| A47 | 01 | 1 | | @0 08-0036216 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Lecture notes in computer science |
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| A66 | 01 | | | @0 DEU |
|---|
| C01 | 01 | | ENG | @0 A unique real time system for correlating a vocal, musical performance to an electronic accompaniment is presented. The system has been implemented and tested extensively in performance in the author's opera 'La Quintrala', and experience with its use in practice is presented. Furthermore, the system's functionality is outlined, it is put into current research perspective, and its possibilities for further development and other usages is discussed. The system correlates voice analysis to an underlying chord structure, stored in computer memory. This chord structure defines the primary supportive pitches, and links the notated and electronic score together, addressing the needs of the singer for tonal indicators' at any given moment. A computer-generated note is initiated by a combination of the singer - by the onset of a note, or by some element in the continuous spectrum of the singing - and the computer through an accompaniment algorithm. The evolution of this relationship between singer and computer is predefined in the application according to the structural intentions of the score, and is affected by the musical and expressive efforts of the singer. The combination of singer and computer influencing the execution of the accompaniment creates a dynamic, musical interplay between singer and computer, and is a very fertile musical area for a composer's combined computer programming and score writing. |
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| C03 | 01 | 3 | FRE | @0 Acoustique audio @5 01 |
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| C03 | 01 | 3 | ENG | @0 Audio acoustics @5 01 |
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| C03 | 02 | X | FRE | @0 Recherche information @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Information retrieval @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Búsqueda información @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Musique @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Music @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Música @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Système temps réel @5 06 |
|---|
| C03 | 04 | X | ENG | @0 Real time system @5 06 |
|---|
| C03 | 04 | X | SPA | @0 Sistema tiempo real @5 06 |
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| C03 | 05 | X | FRE | @0 Système information @5 07 |
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| C03 | 05 | X | ENG | @0 Information system @5 07 |
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| C03 | 05 | X | SPA | @0 Sistema información @5 07 |
|---|
| C03 | 06 | X | FRE | @0 Audition @5 08 |
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| C03 | 06 | X | ENG | @0 Hearing @5 08 |
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| C03 | 06 | X | SPA | @0 Audición @5 08 |
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| C03 | 07 | X | FRE | @0 Tonie @5 09 |
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| C03 | 07 | X | ENG | @0 Pitch(acoustics) @5 09 |
|---|
| C03 | 07 | X | SPA | @0 Altura sonida @5 09 |
|---|
| C03 | 08 | X | FRE | @0 Chanteur @5 10 |
|---|
| C03 | 08 | X | ENG | @0 Singer @5 10 |
|---|
| C03 | 08 | X | SPA | @0 Cantor @5 10 |
|---|
| C03 | 09 | X | FRE | @0 Acoustique musicale @5 18 |
|---|
| C03 | 09 | X | ENG | @0 Musical acoustics @5 18 |
|---|
| C03 | 09 | X | SPA | @0 Acústica musical @5 18 |
|---|
| C03 | 10 | X | FRE | @0 Voix @5 19 |
|---|
| C03 | 10 | X | ENG | @0 Voice @5 19 |
|---|
| C03 | 10 | X | SPA | @0 Voz @5 19 |
|---|
| C03 | 11 | X | FRE | @0 Structure ordinateur @5 20 |
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| C03 | 11 | X | ENG | @0 Computer structure @5 20 |
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| C03 | 11 | X | SPA | @0 Estructura computadora @5 20 |
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| C03 | 12 | X | FRE | @0 Intention @5 21 |
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| C03 | 12 | X | ENG | @0 Intention @5 21 |
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| C03 | 12 | X | SPA | @0 Intencíon @5 21 |
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| C03 | 13 | X | FRE | @0 Etude expérimentale @5 33 |
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| C03 | 13 | X | SPA | @0 Estudio experimental @5 33 |
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| N21 | | | | @1 052 |
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| N44 | 01 | | | @1 OTO |
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| N82 | | | | @1 OTO |
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|
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| pR |
| A30 | 01 | 1 | ENG | @1 International Symposium on Computer Music Modeling and Retrieval @2 3 @3 Pisa ITA @4 2005 |
|---|
|
|---|
Format Inist (serveur)
| NO : | PASCAL 08-0036216 INIST |
|---|
| ET : | Unifying performer and accompaniment |
|---|
| AU : | GRAUGAARD (Lars); KRONLAND-MARTINET (Richard); VOINIER (Thierry); YSTAD (Sølvi) |
|---|
| AF : | Aalborg University Esbjerg, Department of Software and Media Technology, Niels Bohrs Vej 6/6700 Esbjerg/Danemark (1 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 2006; Vol. 3902; Pp. 169-184; Bibl. 34 ref. |
|---|
| LA : | Anglais |
|---|
| EA : | A unique real time system for correlating a vocal, musical performance to an electronic accompaniment is presented. The system has been implemented and tested extensively in performance in the author's opera 'La Quintrala', and experience with its use in practice is presented. Furthermore, the system's functionality is outlined, it is put into current research perspective, and its possibilities for further development and other usages is discussed. The system correlates voice analysis to an underlying chord structure, stored in computer memory. This chord structure defines the primary supportive pitches, and links the notated and electronic score together, addressing the needs of the singer for tonal indicators' at any given moment. A computer-generated note is initiated by a combination of the singer - by the onset of a note, or by some element in the continuous spectrum of the singing - and the computer through an accompaniment algorithm. The evolution of this relationship between singer and computer is predefined in the application according to the structural intentions of the score, and is affected by the musical and expressive efforts of the singer. The combination of singer and computer influencing the execution of the accompaniment creates a dynamic, musical interplay between singer and computer, and is a very fertile musical area for a composer's combined computer programming and score writing. |
|---|
| CC : | 001B40C75; 001D02B04; 001B40C38 |
|---|
| FD : | Acoustique audio; Recherche information; Musique; Système temps réel; Système information; Audition; Tonie; Chanteur; Acoustique musicale; Voix; Structure ordinateur; Intention; Etude expérimentale |
|---|
| ED : | Audio acoustics; Information retrieval; Music; Real time system; Information system; Hearing; Pitch(acoustics); Singer; Musical acoustics; Voice; Computer structure; Intention; Experimental study |
|---|
| SD : | Búsqueda información; Música; Sistema tiempo real; Sistema información; Audición; Altura sonida; Cantor; Acústica musical; Voz; Estructura computadora; Intencíon; Estudio experimental |
|---|
| LO : | INIST-16343.354000153589310160 |
|---|
| ID : | 08-0036216 |
|---|
Links to Exploration step
Pascal:08-0036216
Le document en format XML
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<s5>08</s5>
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<s5>09</s5>
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</fA30><server><NO>PASCAL 08-0036216 INIST</NO>
<ET>Unifying performer and accompaniment</ET>
<AU>GRAUGAARD (Lars); KRONLAND-MARTINET (Richard); VOINIER (Thierry); YSTAD (Sølvi)</AU>
<AF>Aalborg University Esbjerg, Department of Software and Media Technology, Niels Bohrs Vej 6/6700 Esbjerg/Danemark (1 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 2006; Vol. 3902; Pp. 169-184; Bibl. 34 ref.</SO>
<LA>Anglais</LA>
<EA>A unique real time system for correlating a vocal, musical performance to an electronic accompaniment is presented. The system has been implemented and tested extensively in performance in the author's opera 'La Quintrala', and experience with its use in practice is presented. Furthermore, the system's functionality is outlined, it is put into current research perspective, and its possibilities for further development and other usages is discussed. The system correlates voice analysis to an underlying chord structure, stored in computer memory. This chord structure defines the primary supportive pitches, and links the notated and electronic score together, addressing the needs of the singer for tonal indicators' at any given moment. A computer-generated note is initiated by a combination of the singer - by the onset of a note, or by some element in the continuous spectrum of the singing - and the computer through an accompaniment algorithm. The evolution of this relationship between singer and computer is predefined in the application according to the structural intentions of the score, and is affected by the musical and expressive efforts of the singer. The combination of singer and computer influencing the execution of the accompaniment creates a dynamic, musical interplay between singer and computer, and is a very fertile musical area for a composer's combined computer programming and score writing.</EA>
<CC>001B40C75; 001D02B04; 001B40C38</CC>
<FD>Acoustique audio; Recherche information; Musique; Système temps réel; Système information; Audition; Tonie; Chanteur; Acoustique musicale; Voix; Structure ordinateur; Intention; Etude expérimentale</FD>
<ED>Audio acoustics; Information retrieval; Music; Real time system; Information system; Hearing; Pitch(acoustics); Singer; Musical acoustics; Voice; Computer structure; Intention; Experimental study</ED>
<SD>Búsqueda información; Música; Sistema tiempo real; Sistema información; Audición; Altura sonida; Cantor; Acústica musical; Voz; Estructura computadora; Intencíon; Estudio experimental</SD>
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<ID>08-0036216</ID>
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