Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields

Identifieur interne : 000679 ( PascalFrancis/Checkpoint ); précédent : 000678; suivant : 000680

Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields

Auteurs : H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon]

Source :

RBID : Pascal:00-0262099

Descripteurs français

English descriptors

Abstract

The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time Tsub using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing Tsub, which is one of the four orthogonal-objective parameters of sound field.


Affiliations:


Links toward previous steps (curation, corpus...)


Links to Exploration step

Pascal:00-0262099

Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en" level="a">Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</title>
<author>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1">
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe, 657-8501</wicri:noRegion>
</affiliation>
</author>
<author>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1">
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe, 657-8501</wicri:noRegion>
</affiliation>
</author>
<author>
<name sortKey="Setoguchi, H" sort="Setoguchi, H" uniqKey="Setoguchi H" first="H." last="Setoguchi">H. Setoguchi</name>
<affiliation wicri:level="1">
<inist:fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kirishima International Concert Hall</wicri:noRegion>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">INIST</idno>
<idno type="inist">00-0262099</idno>
<date when="2000">2000</date>
<idno type="stanalyst">PASCAL 00-0262099 INIST</idno>
<idno type="RBID">Pascal:00-0262099</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000727</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000025</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000679</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="en" level="a">Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</title>
<author>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1">
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe, 657-8501</wicri:noRegion>
</affiliation>
</author>
<author>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1">
<inist:fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe, 657-8501</wicri:noRegion>
</affiliation>
</author>
<author>
<name sortKey="Setoguchi, H" sort="Setoguchi, H" uniqKey="Setoguchi H" first="H." last="Setoguchi">H. Setoguchi</name>
<affiliation wicri:level="1">
<inist:fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kirishima International Concert Hall</wicri:noRegion>
</affiliation>
</author>
</analytic>
<series>
<title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
<imprint>
<date when="2000">2000</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Acoustic signal</term>
<term>Architectural acoustics</term>
<term>Autocorrelation function</term>
<term>Delay time</term>
<term>Experimental method</term>
<term>Music</term>
<term>Reverberation time</term>
<term>Room acoustics</term>
<term>Subjective evaluation</term>
<term>Test</term>
<term>Variance analysis</term>
<term>Vocal signal</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Essai</term>
<term>Evaluation subjective</term>
<term>Signal vocal</term>
<term>Musique</term>
<term>Temps réverbération</term>
<term>Acoustique salle</term>
<term>Acoustique architecturale</term>
<term>Méthode expérimentale</term>
<term>Signal acoustique</term>
<term>Fonction autocorrélation</term>
<term>Temps retard</term>
<term>Analyse variance</term>
<term>4355</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr">
<term>Essai</term>
<term>Musique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time T
<sub>sub</sub>
using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing T
<sub>sub</sub>
, which is one of the four orthogonal-objective parameters of sound field.</div>
</front>
</TEI>
<inist>
<standard h6="B">
<pA>
<fA01 i1="01" i2="1">
<s0>0022-460X</s0>
</fA01>
<fA02 i1="01">
<s0>JSVIAG</s0>
</fA02>
<fA03 i2="1">
<s0>J. sound vib.</s0>
</fA03>
<fA05>
<s2>232</s2>
</fA05>
<fA06>
<s2>1</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG">
<s1>Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG">
<s1>Workshop on opera house acoustic, Seattle, June 1998</s1>
</fA09>
<fA11 i1="01" i2="1">
<s1>SAKAI (H.)</s1>
</fA11>
<fA11 i1="02" i2="1">
<s1>ANDO (Y.)</s1>
</fA11>
<fA11 i1="03" i2="1">
<s1>SETOGUCHI (H.)</s1>
</fA11>
<fA14 i1="01">
<s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe, 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14>
<fA14 i1="02">
<s1>Kirishima International Concert Hall</s1>
<s2>Kagoshima, 899-6603</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
</fA14>
<fA18 i1="01" i2="1">
<s1>Interuniversity Centre for Acoustics and Musical Research</s1>
<s3>ITA</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="02" i2="1">
<s1>Music and Concert Hall Acoustics</s1>
<s3>JPN</s3>
<s9>patr.</s9>
</fA18>
<fA18 i1="03" i2="1">
<s1>ASA. Technical Committee of Architectural Acoustics</s1>
<s3>USA</s3>
<s9>patr.</s9>
</fA18>
<fA20>
<s1>157-169</s1>
</fA20>
<fA21>
<s1>2000</s1>
</fA21>
<fA23 i1="01">
<s0>ENG</s0>
</fA23>
<fA43 i1="01">
<s1>INIST</s1>
<s2>11530</s2>
<s5>354000087541380130</s5>
</fA43>
<fA44>
<s0>0000</s0>
<s1>© 2000 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45>
<s0>14 ref.</s0>
</fA45>
<fA47 i1="01" i2="1">
<s0>00-0262099</s0>
</fA47>
<fA60>
<s1>P</s1>
<s2>C</s2>
</fA60>
<fA61>
<s0>A</s0>
</fA61>
<fA64 i1="01" i2="1">
<s0>Journal of sound and vibration</s0>
</fA64>
<fA66 i1="01">
<s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG">
<s0>The purpose of this study is to evaluate individual differences and intra-individual changes of subjective preference of simulated sound field judged by listeners in changing subsequent reverberation time T
<sub>sub</sub>
using a vocal source. A great deal of effort has been made studying subjective preferences by using music or speech. Subjective preference tests were conducted by changing T
<sub>sub</sub>
, which is one of the four orthogonal-objective parameters of sound field.</s0>
</fC01>
<fC02 i1="01" i2="X">
<s0>001B40C55</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE">
<s0>Essai</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG">
<s0>Test</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA">
<s0>Ensayo</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE">
<s0>Evaluation subjective</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG">
<s0>Subjective evaluation</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA">
<s0>Evaluación subjetiva</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE">
<s0>Signal vocal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG">
<s0>Vocal signal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA">
<s0>Señal vocal</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE">
<s0>Musique</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG">
<s0>Music</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA">
<s0>Música</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE">
<s0>Temps réverbération</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG">
<s0>Reverberation time</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA">
<s0>Tiempo reverberación</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE">
<s0>Acoustique salle</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG">
<s0>Room acoustics</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA">
<s0>Acústica sala</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE">
<s0>Acoustique architecturale</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG">
<s0>Architectural acoustics</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA">
<s0>Acústica arquitectural</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE">
<s0>Méthode expérimentale</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG">
<s0>Experimental method</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA">
<s0>Método experimental</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE">
<s0>Signal acoustique</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG">
<s0>Acoustic signal</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA">
<s0>Señal acústica</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE">
<s0>Fonction autocorrélation</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG">
<s0>Autocorrelation function</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA">
<s0>Función autocorrelación</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE">
<s0>Temps retard</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="ENG">
<s0>Delay time</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="SPA">
<s0>Tiempo retardo</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE">
<s0>Analyse variance</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG">
<s0>Variance analysis</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA">
<s0>Análisis variancia</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="X" l="FRE">
<s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03>
<fN21>
<s1>178</s1>
</fN21>
</pA>
<pR>
<fA30 i1="01" i2="1" l="ENG">
<s1>Workshop on Opera House Acoustics</s1>
<s3>Seattle WA USA</s3>
<s4>1998-06</s4>
</fA30>
</pR>
</standard>
</inist>
<affiliations>
<list>
<country>
<li>Japon</li>
</country>
</list>
<tree>
<country name="Japon">
<noRegion>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
</noRegion>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<name sortKey="Setoguchi, H" sort="Setoguchi, H" uniqKey="Setoguchi H" first="H." last="Setoguchi">H. Setoguchi</name>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000679 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Checkpoint/biblio.hfd -nk 000679 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Checkpoint
   |type=    RBID
   |clé=     Pascal:00-0262099
   |texte=   Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020