Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders
Identifieur interne : 000156 ( PascalFrancis/Checkpoint ); précédent : 000155; suivant : 000157Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders
Auteurs : Henk Roose [Belgique] ; Alexander Vander Stichele [Belgique]Source :
- Social forces [ 0037-7732 ] ; 2010.
Descripteurs français
- Pascal (Inist)
- Wicri :
English descriptors
- KwdEn :
Abstract
In this article we probe the interplay between public and private music consumption using a large-scale survey of the Flemish population in Belgium. We analyze whether public and private music consumption have different correlates and to what extent there is convergence between the genres that people listen to at home and at concerts. Results show that music consumption is positively related to all indicators of cultural capital-educational attainment, enrolment in arts classes and public participation of the parents. The effects are strongest for high-brow genres such as classical and opera and diminish for middle-brow and low-brow genres such as world/traditional music or pop/rock. Cultural capital is more important for public participation than for private consumption. This suggests that not only information processing capacity is involved when attending concerts, but also social barriers such as familiarity with the rules of decorum and network homophily. Omnivorousness in music consumption is especially situated in the private sphere.
Affiliations:
Links toward previous steps (curation, corpus...)
Links to Exploration step
Francis:11-0180595Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders</title>
<author><name sortKey="Roose, Henk" sort="Roose, Henk" uniqKey="Roose H" first="Henk" last="Roose">Henk Roose</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Ghent University</s1>
<s3>BEL</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Belgique</country>
<wicri:noRegion>Ghent University</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Vander Stichele, Alexander" sort="Vander Stichele, Alexander" uniqKey="Vander Stichele A" first="Alexander" last="Vander Stichele">Alexander Vander Stichele</name>
<affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Catholic University Louvain</s1>
<s3>BEL</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Belgique</country>
<wicri:noRegion>Catholic University Louvain</wicri:noRegion>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">11-0180595</idno>
<date when="2010">2010</date>
<idno type="stanalyst">FRANCIS 11-0180595 INIST</idno>
<idno type="RBID">Francis:11-0180595</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000168</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000386</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000156</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders</title>
<author><name sortKey="Roose, Henk" sort="Roose, Henk" uniqKey="Roose H" first="Henk" last="Roose">Henk Roose</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Ghent University</s1>
<s3>BEL</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Belgique</country>
<wicri:noRegion>Ghent University</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Vander Stichele, Alexander" sort="Vander Stichele, Alexander" uniqKey="Vander Stichele A" first="Alexander" last="Vander Stichele">Alexander Vander Stichele</name>
<affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Catholic University Louvain</s1>
<s3>BEL</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
<country>Belgique</country>
<wicri:noRegion>Catholic University Louvain</wicri:noRegion>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Social forces</title>
<title level="j" type="abbreviated">Soc. forces</title>
<idno type="ISSN">0037-7732</idno>
<imprint><date when="2010">2010</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Social forces</title>
<title level="j" type="abbreviated">Soc. forces</title>
<idno type="ISSN">0037-7732</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Belgium</term>
<term>Cultural Facilities Utilization</term>
<term>Cultural capital</term>
<term>Educational Attainment</term>
<term>Music</term>
<term>Musical style</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Consommation culturelle</term>
<term>Musique</term>
<term>Belgique</term>
<term>Genre musical</term>
<term>Capital culturel</term>
<term>Niveau d'instruction</term>
<term>Flandres</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Belgique</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Musique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">In this article we probe the interplay between public and private music consumption using a large-scale survey of the Flemish population in Belgium. We analyze whether public and private music consumption have different correlates and to what extent there is convergence between the genres that people listen to at home and at concerts. Results show that music consumption is positively related to all indicators of cultural capital-educational attainment, enrolment in arts classes and public participation of the parents. The effects are strongest for high-brow genres such as classical and opera and diminish for middle-brow and low-brow genres such as world/traditional music or pop/rock. Cultural capital is more important for public participation than for private consumption. This suggests that not only information processing capacity is involved when attending concerts, but also social barriers such as familiarity with the rules of decorum and network homophily. Omnivorousness in music consumption is especially situated in the private sphere.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0037-7732</s0>
</fA01>
<fA03 i2="1"><s0>Soc. forces</s0>
</fA03>
<fA05><s2>89</s2>
</fA05>
<fA06><s2>1</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>ROOSE (Henk)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>VANDER STICHELE (Alexander)</s1>
</fA11>
<fA14 i1="01"><s1>Ghent University</s1>
<s3>BEL</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA14 i1="02"><s1>Catholic University Louvain</s1>
<s3>BEL</s3>
<sZ>2 aut.</sZ>
</fA14>
<fA20><s1>185-207</s1>
</fA20>
<fA21><s1>2010</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>22310</s2>
<s5>354000191351450080</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2011 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>3 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>11-0180595</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Social forces</s0>
</fA64>
<fA66 i1="01"><s0>USA</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>In this article we probe the interplay between public and private music consumption using a large-scale survey of the Flemish population in Belgium. We analyze whether public and private music consumption have different correlates and to what extent there is convergence between the genres that people listen to at home and at concerts. Results show that music consumption is positively related to all indicators of cultural capital-educational attainment, enrolment in arts classes and public participation of the parents. The effects are strongest for high-brow genres such as classical and opera and diminish for middle-brow and low-brow genres such as world/traditional music or pop/rock. Cultural capital is more important for public participation than for private consumption. This suggests that not only information processing capacity is involved when attending concerts, but also social barriers such as familiarity with the rules of decorum and network homophily. Omnivorousness in music consumption is especially situated in the private sphere.</s0>
</fC01>
<fC02 i1="01" i2="S"><s0>52162</s0>
<s1>XIV</s1>
</fC02>
<fC02 i1="02" i2="S"><s0>521</s0>
</fC02>
<fC03 i1="01" i2="S" l="FRE"><s0>Consommation culturelle</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="S" l="ENG"><s0>Cultural Facilities Utilization</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="S" l="FRE"><s0>Musique</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="S" l="ENG"><s0>Music</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="S" l="FRE"><s0>Belgique</s0>
<s2>NG</s2>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="S" l="ENG"><s0>Belgium</s0>
<s2>NG</s2>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="N" l="FRE"><s0>Genre musical</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="N" l="ENG"><s0>Musical style</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="S" l="FRE"><s0>Capital culturel</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="S" l="ENG"><s0>Cultural capital</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="S" l="FRE"><s0>Niveau d'instruction</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="S" l="ENG"><s0>Educational Attainment</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="S" l="FRE"><s0>Flandres</s0>
<s4>INC</s4>
<s5>32</s5>
</fC03>
<fN21><s1>115</s1>
</fN21>
</pA>
</standard>
</inist>
<affiliations><list><country><li>Belgique</li>
</country>
</list>
<tree><country name="Belgique"><noRegion><name sortKey="Roose, Henk" sort="Roose, Henk" uniqKey="Roose H" first="Henk" last="Roose">Henk Roose</name>
</noRegion>
<name sortKey="Vander Stichele, Alexander" sort="Vander Stichele, Alexander" uniqKey="Vander Stichele A" first="Alexander" last="Vander Stichele">Alexander Vander Stichele</name>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000156 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Checkpoint/biblio.hfd -nk 000156 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= PascalFrancis |étape= Checkpoint |type= RBID |clé= Francis:11-0180595 |texte= Living Room vs. Concert Hall: Patterns of Music Consumption in Flanders }}
![]() | This area was generated with Dilib version V0.6.21. | ![]() |