Acoustique salle And NotG. Iannace
List of bibliographic references
Number of relevant bibliographic references: 43.| Ident. | Authors (with country if any) | Title |
|---|---|---|
| 000193 | Shin-Ichi Sato [Italie] ; Nicola Prodi [Italie] | On the Subjective Evaluation of the Perceived Balance Between a Singer and a Piano Inside Different Theatres |
| 000198 | Gianfranco Genta [Italie] ; Maria Giovannini [Italie] ; Arianna Astolfi [Italie] ; Giulio Barbato [Italie] | Investigation of Subjective Acoustical Attributes by Performers Through Ranking Data Analyses |
| 000232 | JIN YONG JEON [Corée du Sud] ; YONG HEE KIM [Corée du Sud] ; Densil Cabrera [Australie] ; John Bassett [Australie] | The effect of visual and auditory cues on seat preference in an opera theater |
| 000244 | Leo L. Beranek | Concert Hall Acoustics-2008 |
| 000336 | Takayuki Hidaka [Japon] | Supplemental data of dependence of objective room acoustical parameters on source and receiver positions at field measurement |
| 000421 | M. C. Loriers | Espaces d'écoute et de regard |
| 000422 | D. Machabert | Comme un roman. Restructuration du Mariinsky, St Petersbourg |
| 000504 | J. Sarwono [Royaume-Uni, Indonésie] ; Y. W. Lam [Royaume-Uni] | The preferred initial time delay gap and inter-aural cross correlation for a Javanese Gamelan performance hall |
| 000507 | H. Sakai [Japon] ; Y. Ando [Japon] ; N. Prodi [Italie] ; R. Pompoli [Italie] | Temporal and spatial acoustical factors for listeners in the boxes of historical opera theatres |
| 000509 | S. Sato [Japon] ; H. Sakai [Japon] ; N. Prodi [Italie] | Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house |
| 000510 | D. Takahashi [Japon] ; R. Takahashi [Japon] | Sound fields and subjective effects of scattering by periodic-type diffusers |
| 000513 | P. Fausti [Italie] ; N. Prodi [Italie] | On the testing of renovations inside historical opera houses |
| 000517 | D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Melisma singing and preferred stage acoustics for singers |
| 000524 | J. Atagi [Japon] ; R. Weber [Allemagne] ; V. Mellert [Allemagne] | Effect of modulated delay time of reflection on autocorrelation function and perception of echo |
| 000525 | T. Hotehama [Japon] ; S. Sato [Japon] ; Y. Ando [Japon] | Dissimilarity judgments in relation to temporal and spatial factors for the sound field in an existing hall |
| 000527 | Y. Ando [Japon] | Correlation factors describing primary and spatial sensations of sound fields |
| 000529 | A. Takatsu [Japon] ; H. Sakai [Japon] ; Y. Anuo [Japon] | Blending architectural and acoustical factors in designing a round event hall |
| 000530 | S. Sato [Japon] ; K. Otori [Japon] ; A. Takizawa [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] ; H. Kawamura [Japon] | Applying genetic algorithms to the optimum design of a concert hall |
| 000650 | Workshop on opera house acoustic, Seattle, June 1998 | |
| 000654 | F. W. Bianchi [États-Unis] ; R. H. Campbell [États-Unis] | The virtual orchestra: Technical and creative issues |
| 000658 | S. Sato [Japon] ; Y. Ando [Japon] ; S. Ota [Japon] | Subjective preference of cellists for the delay time of a single reflection in a performance |
| 000660 | D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Singer responses to sound fields with a simulated reflection |
| 000661 | M. Vorl Nder [Allemagne] | Room acoustical simulation algorithm based on the free path distribution |
| 000667 | T. Halmrast [Norvège] | Orchestral timbre : Comb-filter coloration from reflections |
| 000671 | C. Semidor [France] ; A. Barlet [France] | Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux |
| 000674 | M. Barron [Royaume-Uni] | Measured early lateral energy fractions in concert halls and opera houses |
| 000679 | H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon] | Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields |
| 000688 | Y. Suzumura [Japon] ; M. Sakurai [Japon] ; Y. Ando [Japon] ; I. Yamamoto [Japon] ; T. Iizuka [Japon] ; M. Oowaki [Japon] | An evaluation of the effects of scattered reflections in a sound field |
| 000690 | M. I. Biggi [Italie] ; R. Pompoli [Italie] | Acoustics in the competition for the construction of the opera house "La Fenice" : 1789-1790 |
| 000691 | A. Takatsu [Japon] ; S. Hase [Japon] ; H. Sakai [Japon] ; S. Sato [Japon] ; Y. Ando [Japon] | Acoustical design and measurement of a circular hall, improving a spatial factor at each seat |
| 000692 | M. Strada [Italie] ; R. Pompoli [Italie] | Acoustic program in the competition for the reconstruction of the "La Fenice" opera house after the fire of 29 January 1996 |
| 000693 | P. Fausti [Italie] ; A. Farina [Italie] | Acoustic measurements in opera houses : Comparison between different techniques and equipment |
| 000751 | M. Lannie [Russie] ; L. Makrinenko [Russie] | Acoustics of Russian classical opera houses |
| 000820 | J. Utzon | Teatro de la Opera, Sydney (Australia) |
| 000B35 | Z. Freiman | The architect of the City |
| 000B50 | Musique | |
| 000B56 | Acoustique des lieux scéniques | |
| 000B76 | J.-P. Vian | Traitement acoustique de l'Opéra Bastille |
| 000C02 | A. Sartre | Opéra Bastille: l'acoustique de l'extrême |
| 000C08 | J.-P. Vian | L'acoustique du nouvel opéra de la Bastille |
| 000C14 | D. Commins | Dossier acoustique: l'acoustique des salles de spectacle |
| 000C57 | Stadthalle Rheydt | |
| 000C59 | W. Reichardt | Die akustische Projektierung der SEMPER-Oper in Dresden |
| This area was generated with Dilib version V0.6.21. |  |