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Acoustique architecturale And NotG. Iannace

List of bibliographic references

Number of relevant bibliographic references: 25.
Ident.Authors (with country if any)Title
000278 Linda Parati [Italie] ; Nicola Prodi [Italie] ; Roberto Pompoli [Italie]Computer model investigations on the balance between stage and pit sources in opera houses
000487 Toshiyuki Okano [Japon]Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections
000543 Noriko Nishihara [Japon, États-Unis] ; Takayuki Hidaka [Japon] ; Leo L. Beranek [Japon]Mechanism of sound absorption by seated audience in halls
000545 Hiroyuki Sakai [Japon]Acoustic measurements and the individual subjective evaluation for sound fields
000568 Takayuki Hidaka [Japon, États-Unis] ; Noriko Nishihara [Japon] ; Leo L. Beranek [Japon]Relation of acoustical parameters with and without audiences in concert halls and a simple method for simulating the occupied state
000617 Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon]Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas
000618 Leo L. Beranek [États-Unis] ; Takayuki Hidaka [Japon] ; Sadahiro Masuda [Japon]Acoustical design of the opera house of the New National Theatre, Tokyo, Japan
000619 Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon] ; Sadahiro Masuda ; Noriko Nishihara ; Toshiyuki OkanoAcoustical design of the Tokyo Opera City (TOC) concert hall, Japan
000650 Workshop on opera house acoustic, Seattle, June 1998
000660 D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon]Singer responses to sound fields with a simulated reflection
000663 S. Hase [Japon] ; A. Takatsu [Japon] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon]Reverberance of an existing hall in relation to both subsequent reverberation time and SPL
000667 T. Halmrast [Norvège]Orchestral timbre : Comb-filter coloration from reflections
000671 C. Semidor [France] ; A. Barlet [France]Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux
000679 H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon]Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
000685 A. Cocchi [Italie] ; M. Garai [Italie] ; C. Tavernelli [Italie]Boxes and sound quality in an italian opera house
000695 M. Sakurai [Japon] ; S. Aizawa [Japon] ; Y. Suzumura [Japon] ; Y. Ando [Japon]A diagnostic system measuring or thogonal factors of sound fields in a scale model of auditorium
000751 M. Lannie [Russie] ; L. Makrinenko [Russie]Acoustics of Russian classical opera houses
000755 Leo L. Beranek [États-Unis, Japon] ; Takayuki Hidaka [États-Unis]Sound absorption in concert halls by seats, occupied and unoccupied, and by the hall's interior surfaces
000B50 Musique
000B56 Acoustique des lieux scéniques
000B76 J.-P. VianTraitement acoustique de l'Opéra Bastille
000C02 A. SartreOpéra Bastille: l'acoustique de l'extrême
000C08 J.-P. VianL'acoustique du nouvel opéra de la Bastille
000C14 D. ComminsDossier acoustique: l'acoustique des salles de spectacle
000C59 W. ReichardtDie akustische Projektierung der SEMPER-Oper in Dresden


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