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Mov. Disord. < Music and Letters < Musical Quarterly

List of bibliographic references indexed by Music and Letters

Number of relevant bibliographic references: 54.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
001632 (2007) Andrew V. Jones [Royaume-Uni]The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’
001654 (2007) Benjamin WolfIbbs and Tillett: The Rise and Fall of a Musical Empire
001825 (2006) Diane M. PaigeŠárka
001826 (2006) Laura BasiniVocal Apparitions: The Attraction of Cinema to Opera. By Michal Grover-Friedlander. pp. xiv + 186. Princeton Studies in Opera. (Princeton University Press, Princeton and Oxford, 2005, £21.50. ISBN 0-691-12008-0.)
001827 (2006) Jacqueline WaeberThéâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.)
001833 (2006) Christopher MorrisOpera and Modern Culture: Wagner and Strauss
001834 (2006) Sarah HibberdMurder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris
001836 (2006) Joseph P. SwainHow Sondheim Found his Sound. By Steve Swayne. pp. xvi + 320. (University of Michigan Press, Ann Arbor, 2005, $30. ISBN 0-472-11497-2.)
001837 (2006) Lorraine ByrneGoethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’
001838 (2006) Nick ChadwickGerman Modernism: Music and the Arts. By Walter Frisch. pp. x + 322. (University of California Press, Berkeley and Los Angeles, 2005, £29.95. ISBN 0-520-24301-3.)
001839 (2006) Peter Van Der MerweGender and Sexuality in South African Music. Ed. by Chris Walton and Stephanus Muller. pp. xii + 97. (SUN ePreSS, Stellenbosch, 2005, R150. ISBN 1-919980-40-7.)
001840 (2006) Pauline FaircloughFive Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.)
001842 (2006) Philip GossettCarteggio Verdi–Somma
001843 (2006) Diana R. HallmanBerlioz: Past, Present, Future. Bicentenary Essays
001844 (2006) John WarrackAugust Bungert: Ein Komponist im deutschen Kaiserreich
001852 (2006) Kenneth BirkinThe Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.)
001857 (2006) David CharltonThe Bals publics at the Paris Opéra in the Eighteenth Century. By Richard Semmens. pp. viii + 216. Dance & Music Series, 13. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-034-2.)
001860 (2006) William E. HettrickSyntagma Musicum III: Michael Praetorius. Ed. & trans. by Jeffery Kite-Powell. pp. xxix + 265. Oxford Early Music Series. (Oxford University Press, New York and Oxford, 2004, £46.99. ISBN 0-19-514563-1.)
001866 (2006) Bjo Rn HeileRecent Approaches to Experimental Music Theatre and Contemporary Opera
001872 (2006) Emanuele SeniciOpera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.)
001881 (2006) Sarah HibberdLa Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.)

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