Serveur d'exploration sur l'opéra - Exploration (Accueil)

Index « ISSN » - entrée « 1477-4631 »
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1477-4623 < 1477-4631 < 1477-4658

List of bibliographic references indexed by 1477-4631

Number of relevant bibliographic references: 344.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000E00 (2010) Alon Schab [Oman]Revisiting the Known and Unknown Misprints in Purcells Dioclesian
000E10 (2010) Marita Petzoldt McclymondsOpera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. By Martha Feldman.
000E20 (2010) Nicholas Till [Royaume-Uni]Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theatre. By David J. Buch.
001096 (2009) J. P. E. Harper Scott [Royaume-Uni]Twentieth-Century British Authors and the Rise of Opera in Britain. By Irene Morra.
001098 (2009) Nicholas Lockey [États-Unis]Tonal Space in the Music of Antonio Vivaldi. By Bella Brover-Lubovsky.
001104 (2009) Jonathan E. GlixonSong and Season: Science, Culture, and Theatrical Time in Early Modern Venice. By Eleanor Selfridge-Field.A New Chronology of Venetian Opera and Related Genres, 16601760. By Eleanor Selfridge-Field.
001121 (2009) Nathan SeinenKutuzov's Victory, Prokofiev's Defeat: The Revisions of ‘War and Peace’
001129 (2009) Alexandra WilsonFashionable Acts: Opera and Elite Culture in London, 17801880. By Jennifer Hall-Witt.
001394 (2008) James A. Winn [États-Unis]Style and Politics in the Philips–Handel Ode for Queen Anne's Birthday, 1713
001408 (2008) Diana HallmanLe Juif errant, paroles d’E. Scribe et d’H. V. de Saint-Georges, musique de F. Halévy: Un grand opéra français au début du Second Empire. By Béatrice Prioron-Pinelli.
001417 (2008) Sean M. ParrDivas and Scholars: Performing Italian Opera. By Philip Gossett.
001617 (2007) Marcia J. Citron [États-Unis]‘An honest contrivance’: Opera and Desire in ‘Moonstruck’
001621 (2007) Lucy WalkerVoicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. By Naomi André.
001629 (2007) Stephen Rumph [États-Unis]The Sense of Touch in ‘Don Giovanni’
001632 (2007) Andrew V. Jones [Royaume-Uni]The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’
001648 (2007) Stefanie TcharosOperatic Migrations: Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas.
001654 (2007) Benjamin WolfIbbs and Tillett: The Rise and Fall of a Musical Empire
001664 (2007) Mark Berry [Royaume-Uni]Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’
001665 (2007) Roger Savage [Royaume-Uni]Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’
001825 (2006) Diane M. PaigeŠárka
001826 (2006) Laura BasiniVocal Apparitions: The Attraction of Cinema to Opera. By Michal Grover-Friedlander. pp. xiv + 186. Princeton Studies in Opera. (Princeton University Press, Princeton and Oxford, 2005, £21.50. ISBN 0-691-12008-0.)

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