OperaV1, Main, Exploration, bibRecord, 002543

Singer responses to sound fields with a simulated reflection

Identifieur interne : 002543 ( Main/Exploration ); précédent : 002542; suivant : 002544

Singer responses to sound fields with a simulated reflection

Auteurs : D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon]

Source :

Journal of sound and vibration [ 0022-460X ] ; 2000.

RBID : Pascal:00-0262858

Descripteurs français

Pascal (Inist)
- Acoustique, Acoustique salle, Chanteur, Réflecteur, Temps retard, Eglise, Locuteur, Microphone, Acoustique architecturale, Réflexion onde acoustique, Signal acoustique, Musique, Préférence, Analyse statistique, 4355.
Wicri :
- topic : Acoustique, Musique.

English descriptors

KwdEn :
- Acoustic signal, Acoustic wave reflection, Acoustics, Architectural acoustics, Church, Delay time, Microphone, Music, Preference, Reflector, Room acoustics, Singer, Speaker, Statistical analysis.

Abstract

While numerous recent studies have reported results concerning improvements to stage acoustics for orchestral performers, the preferred acoustical conditions on performing stages for singers has received limited attention in the past 20 years. A series of acoustical modifications have been proposed for a Seattle church to improve the acoustics for both the listeners and the performing choir. An on-site preliminary study was made to determine what acoustical changes might be important to singers. During solo fast-tempo singing and duet singing, singer preference increased with simulated short-delay reflections. The results suggest a potential for new reflectors to produce noticeable improvement in the choir acoustics. Subsequently, a solo singer study was conducted to establish preferred range of time delays for a single-simulated reflection. When singing faster-tempo music, the consensus of preference is statistically significant and the preferred delay averages 20 ms, while with a slow-tempo piece, the singers were not consistent in their judgment of preference and a strong individual variability predominated in the pair-comparison tests. The results point the way for an examination of a wider range of time delays and music motifs to acquire a clearer picture of consensus and individual preference for time-delayed reflections.

Affiliations:

Links toward previous steps (curation, corpus...)

to stream PascalFrancis, to step Corpus: 000721
to stream PascalFrancis, to step Curation: 000031
to stream PascalFrancis, to step Checkpoint: 000660
to stream Main, to step Merge: 002638
to stream Main, to step Curation: 002543

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Singer responses to sound fields with a simulated reflection</title>
<author><name sortKey="Noson, D" sort="Noson, D" uniqKey="Noson D" first="D." last="Noson">D. Noson</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
<affiliation wicri:level="2"><inist:fA14 i1="02"><s1>BRC Acoustics, 3208 15th Avenue West</s1>
<s2>Seattle, WA 98113</s2>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>États-Unis</country>
<placeName><region type="state">Washington (État)</region>
</placeName>
</affiliation>
</author>
<author><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">00-0262858</idno>
<date when="2000">2000</date>
<idno type="stanalyst">PASCAL 00-0262858 INIST</idno>
<idno type="RBID">Pascal:00-0262858</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000721</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000031</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000660</idno>
<idno type="wicri:doubleKey">0022-460X:2000:Noson D:singer:responses:to</idno>
<idno type="wicri:Area/Main/Merge">002638</idno>
<idno type="wicri:Area/Main/Curation">002543</idno>
<idno type="wicri:Area/Main/Exploration">002543</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Singer responses to sound fields with a simulated reflection</title>
<author><name sortKey="Noson, D" sort="Noson, D" uniqKey="Noson D" first="D." last="Noson">D. Noson</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
<affiliation wicri:level="2"><inist:fA14 i1="02"><s1>BRC Acoustics, 3208 15th Avenue West</s1>
<s2>Seattle, WA 98113</s2>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>États-Unis</country>
<placeName><region type="state">Washington (État)</region>
</placeName>
</affiliation>
</author>
<author><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe University</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
<imprint><date when="2000">2000</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic signal</term>
<term>Acoustic wave reflection</term>
<term>Acoustics</term>
<term>Architectural acoustics</term>
<term>Church</term>
<term>Delay time</term>
<term>Microphone</term>
<term>Music</term>
<term>Preference</term>
<term>Reflector</term>
<term>Room acoustics</term>
<term>Singer</term>
<term>Speaker</term>
<term>Statistical analysis</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Acoustique</term>
<term>Acoustique salle</term>
<term>Chanteur</term>
<term>Réflecteur</term>
<term>Temps retard</term>
<term>Eglise</term>
<term>Locuteur</term>
<term>Microphone</term>
<term>Acoustique architecturale</term>
<term>Réflexion onde acoustique</term>
<term>Signal acoustique</term>
<term>Musique</term>
<term>Préférence</term>
<term>Analyse statistique</term>
<term>4355</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Acoustique</term>
<term>Musique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">While numerous recent studies have reported results concerning improvements to stage acoustics for orchestral performers, the preferred acoustical conditions on performing stages for singers has received limited attention in the past 20 years. A series of acoustical modifications have been proposed for a Seattle church to improve the acoustics for both the listeners and the performing choir. An on-site preliminary study was made to determine what acoustical changes might be important to singers. During solo fast-tempo singing and duet singing, singer preference increased with simulated short-delay reflections. The results suggest a potential for new reflectors to produce noticeable improvement in the choir acoustics. Subsequently, a solo singer study was conducted to establish preferred range of time delays for a single-simulated reflection. When singing faster-tempo music, the consensus of preference is statistically significant and the preferred delay averages 20 ms, while with a slow-tempo piece, the singers were not consistent in their judgment of preference and a strong individual variability predominated in the pair-comparison tests. The results point the way for an examination of a wider range of time delays and music motifs to acquire a clearer picture of consensus and individual preference for time-delayed reflections.</div>
</front>
</TEI>
<affiliations><list><country><li>Japon</li>
<li>États-Unis</li>
</country>
<region><li>Washington (État)</li>
</region>
</list>
<tree><country name="Japon"><noRegion><name sortKey="Noson, D" sort="Noson, D" uniqKey="Noson D" first="D." last="Noson">D. Noson</name>
</noRegion>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
</country>
<country name="États-Unis"><region name="Washington (État)"><name sortKey="Noson, D" sort="Noson, D" uniqKey="Noson D" first="D." last="Noson">D. Noson</name>
</region>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002543 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002543 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     Pascal:00-0262858
   |texte=   Singer responses to sound fields with a simulated reflection
}}

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020

	Serveur d'exploration sur l'opéra
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur l'opéra

Singer responses to sound fields with a simulated reflection

Singer responses to sound fields with a simulated reflection

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri