Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

THE VIRTUAL ORCHESTRA: TECHNICAL AND CREATIVE ISSUES

Identifieur interne : 002472 ( Main/Exploration ); précédent : 002471; suivant : 002473

THE VIRTUAL ORCHESTRA: TECHNICAL AND CREATIVE ISSUES

Auteurs : F. W. Bianchi ; R. H. Campbell [États-Unis]

Source :

RBID : ISTEX:3FA9485DD49DA3CB7AB45167A8EE48151C5C3C0A

Descripteurs français

English descriptors

Abstract

The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.

Url:
DOI: 10.1006/jsvi.1999.2699


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">THE VIRTUAL ORCHESTRA: TECHNICAL AND CREATIVE ISSUES</title>
<author>
<name sortKey="Bianchi, F W" sort="Bianchi, F W" uniqKey="Bianchi F" first="F. W." last="Bianchi">F. W. Bianchi</name>
</author>
<author>
<name sortKey="Campbell, R H" sort="Campbell, R H" uniqKey="Campbell R" first="R. H." last="Campbell">R. H. Campbell</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:3FA9485DD49DA3CB7AB45167A8EE48151C5C3C0A</idno>
<date when="2000" year="2000">2000</date>
<idno type="doi">10.1006/jsvi.1999.2699</idno>
<idno type="url">https://api.istex.fr/document/3FA9485DD49DA3CB7AB45167A8EE48151C5C3C0A/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000E82</idno>
<idno type="wicri:Area/Istex/Curation">000E82</idno>
<idno type="wicri:Area/Istex/Checkpoint">000B77</idno>
<idno type="wicri:doubleKey">0022-460X:2000:Bianchi F:the:virtual:orchestra</idno>
<idno type="wicri:Area/Main/Merge">002565</idno>
<idno type="wicri:source">INIST</idno>
<idno type="RBID">Pascal:00-0263233</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000717</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000035</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000654</idno>
<idno type="wicri:doubleKey">0022-460X:2000:Bianchi F:the:virtual:orchestra</idno>
<idno type="wicri:Area/Main/Merge">002632</idno>
<idno type="wicri:Area/Main/Curation">002472</idno>
<idno type="wicri:Area/Main/Exploration">002472</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">THE VIRTUAL ORCHESTRA: TECHNICAL AND CREATIVE ISSUES</title>
<author>
<name sortKey="Bianchi, F W" sort="Bianchi, F W" uniqKey="Bianchi F" first="F. W." last="Bianchi">F. W. Bianchi</name>
<affiliation>
<wicri:noCountry code="no comma">Department of Humanities and Arts</wicri:noCountry>
</affiliation>
</author>
<author>
<name sortKey="Campbell, R H" sort="Campbell, R H" uniqKey="Campbell R" first="R. H." last="Campbell">R. H. Campbell</name>
<affiliation wicri:level="2">
<country xml:lang="fr">États-Unis</country>
<wicri:regionArea>Department of Electrical and Computer Engineering, Worcester Polytechnic Institute, Worcester, Massachusetts</wicri:regionArea>
<placeName>
<region type="state">Massachusetts</region>
</placeName>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Journal of Sound and Vibration</title>
<title level="j" type="abbrev">YJSVI</title>
<idno type="ISSN">0022-460X</idno>
<imprint>
<publisher>ELSEVIER</publisher>
<date type="published" when="1999">1999</date>
<biblScope unit="volume">232</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="275">275</biblScope>
<biblScope unit="page" to="279">279</biblScope>
</imprint>
<idno type="ISSN">0022-460X</idno>
</series>
<idno type="istex">3FA9485DD49DA3CB7AB45167A8EE48151C5C3C0A</idno>
<idno type="DOI">10.1006/jsvi.1999.2699</idno>
<idno type="PII">S0022-460X(99)92699-8</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Implementation</term>
<term>Musician</term>
<term>Opera(building)</term>
<term>Orchestra</term>
<term>Room acoustics</term>
<term>Software tool</term>
<term>Theatre(building)</term>
<term>Virtual reality</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>4355</term>
<term>Acoustique salle</term>
<term>Implémentation</term>
<term>Musicien</term>
<term>Opéra bâtiment</term>
<term>Orchestre</term>
<term>Outil logiciel</term>
<term>Réalité virtuelle</term>
<term>Théâtre bâtiment</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr">
<term>Réalité virtuelle</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The interactive multi-channel computer music system known as the Virtual Orchestra has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are discussed. In addition, this paper describes the equally important issues regarding the creative impact this will have on the industry. In particular, this paper explores the role of the musician/technologist and suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to changing demographics.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>États-Unis</li>
</country>
<region>
<li>Massachusetts</li>
</region>
</list>
<tree>
<noCountry>
<name sortKey="Bianchi, F W" sort="Bianchi, F W" uniqKey="Bianchi F" first="F. W." last="Bianchi">F. W. Bianchi</name>
</noCountry>
<country name="États-Unis">
<region name="Massachusetts">
<name sortKey="Campbell, R H" sort="Campbell, R H" uniqKey="Campbell R" first="R. H." last="Campbell">R. H. Campbell</name>
</region>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002472 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002472 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:3FA9485DD49DA3CB7AB45167A8EE48151C5C3C0A
   |texte=   THE VIRTUAL ORCHESTRA: TECHNICAL AND CREATIVE ISSUES
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020