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Surtitling today : new uses, attitudes and developments

Identifieur interne : 001719 ( Main/Exploration ); précédent : 001718; suivant : 001720

Surtitling today : new uses, attitudes and developments

Auteurs : Marta Mateo [Espagne]

Source :

RBID : Francis:11-0146587

Mots-clés :

Abstract

Surtitling has exerted a noticeable two fold effect on the opera world, in which it originated: it has contributed substantially to increasing the number of opera goers, making opera more accessible and "audience-friendly" and changing audiences' expectations towards their operatic experience, which has in turn affected the reception of works in the audience's native language; secondly, it has brought about innovations in opera production, introducing new languages and pieces in opera houses. Besides, surtitles have now been put to new uses, as some theatre productions have adopted them enabling drama to travel more extensively. This article will focus on the changes surtitling has produced in the contexts using it, the impact of technical advances on its own production and reception, as well as on its new consumers and uses.


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/corpus/OperaV1/Data/Main/Exploration
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{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     Francis:11-0146587
   |texte=   Surtitling today : new uses, attitudes and developments
}}

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