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Opera and madness: Britten’s Peter Grimes—a case study

Identifieur interne : 001109 ( Main/Exploration ); précédent : 001108; suivant : 001110

Opera and madness: Britten’s Peter Grimes—a case study

Auteurs : G. Durà-Vilà [Royaume-Uni] ; D. Bentley [Royaume-Uni]

Source :

RBID : ISTEX:0539222BF13A1E7BC662ED8914F888249924544C

Abstract

In this paper, Britten’s opera Peter Grimes (1945) is used as an illustrative case study through which to examine the depiction of psychiatric disorders in opera. It is argued that Peter Grimes is a powerful example of how opera, in the hands of a great composer, can become an invaluable tool for examining subjective human experience. After a brief discussion of opera as a vehicle to express emotions, various operas are drawn upon to provide a historical perspective and to demonstrate the long interconnection existing between opera and madness. An in-depth analysis of Peter Grimes, its background and central character, is then provided, in order to demonstrate how opera can elicit empathy for individuals affected by mental health problems.


Url:
DOI: 10.1136/jmh.2009.002030


Affiliations:


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   |texte=   Opera and madness: Britten’s Peter Grimes—a case study
}}

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