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Paul Dukas and the opera : between theory and practice

Identifieur interne : 000482 ( Main/Exploration ); précédent : 000481; suivant : 000483

Paul Dukas and the opera : between theory and practice

Auteurs : Pauline Chabrol [France]

Source :

RBID : Hal:tel-01085906

Mots-clés :

Abstract

Paul Dukas, renowned composer and music critic has performed over four hundred published articles on music, mostly on the operatic music. Although he started more than twenty opera before abandoning projects Dukas has composed one opera Ariane et Barbe-Bleue.The apparent paradox between the number of chronicles which denotes a constant concern of the composer for the opera, and unique Ariane et Barbe-Bleue opera raises questions about the place of opera in Dukas. Thus it is vital to understand the intellectual process that led the composer to this work. What do the critics of his own theories of opera? What interactions are there between his writings and compositions? What reveal the lyrical projects on his aesthetic positions? Ariane et Barbe-Bleue is the synthetic reflection of his writings and ideas?This work is primarily concerned with aesthetic positions Dukas on lyrical music from the sources of Wagnerian art to critical contemporary works. The views emerged are compared with the analysis of abandoned opera and the study of its unique lyrical work : Ariane et Barbe-Bleue.


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Affiliations:


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   |type=    RBID
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   |texte=   Paul Dukas and the opera : between theory and practice
}}

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