Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Aus französische Gesangskunst in der Zeit Gilbert Duprez : .Geschichte, Ästhetik und Methode

Identifieur interne : 000069 ( Main/Exploration ); précédent : 000068; suivant : 000070

Aus französische Gesangskunst in der Zeit Gilbert Duprez : .Geschichte, Ästhetik und Methode

Auteurs : Pierre Girod [France]

Source :

RBID : Hal:tel-01202787

Descripteurs français

English descriptors

Abstract

Looking at opera, opéra-comique and salon music through the eyes of the first performers stresses the histrionic and vocal dimension of their art. Thus, this dissertation drives from the mutual appraisals of artists, which can be found in treaties, memoirs, archives of the Paris Conservatoire, letters, etc. The vocabulary used to describe singing in the 19th-century has been linked to 78rpm records and cylinder recordings. The relative focus on high-pitched male voices is only relevant because changes in the general taste for opera voices were mainly triggered by leading tenors during the romantic era. The impact of various locations and repertory on the audience's expectations was studied in order to define the aesthetic and social frame of vocal performance. Reinventing the practical know-how from the sources actually meets the growing expectations of both schedulers and singers who want to renew the approach of the so-called "romantic" French repertory - which currently goes widely unknown and unsung. A better understanding of tradition allows for more consistent historically informed performances (www.lesfrivolitesparisiennes.com).

Url:


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="de">Aus französische Gesangskunst in der Zeit Gilbert Duprez : .Geschichte, Ästhetik und Methode</title>
<title xml:lang="en">French singing in the time of Gilbert Duprez : history, aesthetics and skills</title>
<title xml:lang="fr">Les Mutations du ténor romantique : contribution à une histoire du chant français à l'époque de Gilbert Duprez (1837-1871)</title>
<author>
<name sortKey="Girod, Pierre" sort="Girod, Pierre" uniqKey="Girod P" first="Pierre" last="Girod">Pierre Girod</name>
<affiliation wicri:level="1">
<hal:affiliation type="laboratory" xml:id="struct-2257" status="VALID">
<orgName>Histoire et Critique des Arts. UHB</orgName>
<desc>
<address>
<addrLine>UFR Arts, Lettres et Communication. Place du Recteur Henri Le Moal. 35043 RENNES CEDEX</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation>
<relation active="#struct-300597" type="direct"></relation>
<relation active="#struct-406201" type="direct"></relation>
</listRelation>
<tutelles>
<tutelle active="#struct-300597" type="direct">
<org type="institution" xml:id="struct-300597" status="VALID">
<orgName>MEN : EA1279</orgName>
<desc>
<address>
<country key="FR"></country>
</address>
</desc>
</org>
</tutelle>
<tutelle active="#struct-406201" type="direct">
<org type="institution" xml:id="struct-406201" status="VALID">
<orgName>Université Rennes 2</orgName>
<desc>
<address>
<addrLine>Place du recteur Henri Le Moal - CS 24307 - 35043 Rennes cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-rennes2.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
<placeName>
<settlement type="city">Rennes</settlement>
<region type="region" nuts="2">Région Bretagne</region>
</placeName>
<orgName type="university">Université Rennes 2 Haute Bretagne</orgName>
<orgName type="institution" wicri:auto="newGroup">Université européenne de Bretagne</orgName>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:tel-01202787</idno>
<idno type="halId">tel-01202787</idno>
<idno type="halUri">https://tel.archives-ouvertes.fr/tel-01202787</idno>
<idno type="url">https://tel.archives-ouvertes.fr/tel-01202787</idno>
<date when="2015-07-08">2015-07-08</date>
<idno type="wicri:Area/Hal/Corpus">000003</idno>
<idno type="wicri:Area/Hal/Curation">000003</idno>
<idno type="wicri:Area/Hal/Checkpoint">000018</idno>
<idno type="wicri:Area/Main/Merge">000069</idno>
<idno type="wicri:Area/Main/Curation">000069</idno>
<idno type="wicri:Area/Main/Exploration">000069</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="de">Aus französische Gesangskunst in der Zeit Gilbert Duprez : .Geschichte, Ästhetik und Methode</title>
<title xml:lang="en">French singing in the time of Gilbert Duprez : history, aesthetics and skills</title>
<title xml:lang="fr">Les Mutations du ténor romantique : contribution à une histoire du chant français à l'époque de Gilbert Duprez (1837-1871)</title>
<author>
<name sortKey="Girod, Pierre" sort="Girod, Pierre" uniqKey="Girod P" first="Pierre" last="Girod">Pierre Girod</name>
<affiliation wicri:level="1">
<hal:affiliation type="laboratory" xml:id="struct-2257" status="VALID">
<orgName>Histoire et Critique des Arts. UHB</orgName>
<desc>
<address>
<addrLine>UFR Arts, Lettres et Communication. Place du Recteur Henri Le Moal. 35043 RENNES CEDEX</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation>
<relation active="#struct-300597" type="direct"></relation>
<relation active="#struct-406201" type="direct"></relation>
</listRelation>
<tutelles>
<tutelle active="#struct-300597" type="direct">
<org type="institution" xml:id="struct-300597" status="VALID">
<orgName>MEN : EA1279</orgName>
<desc>
<address>
<country key="FR"></country>
</address>
</desc>
</org>
</tutelle>
<tutelle active="#struct-406201" type="direct">
<org type="institution" xml:id="struct-406201" status="VALID">
<orgName>Université Rennes 2</orgName>
<desc>
<address>
<addrLine>Place du recteur Henri Le Moal - CS 24307 - 35043 Rennes cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-rennes2.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
<placeName>
<settlement type="city">Rennes</settlement>
<region type="region" nuts="2">Région Bretagne</region>
</placeName>
<orgName type="university">Université Rennes 2 Haute Bretagne</orgName>
<orgName type="institution" wicri:auto="newGroup">Université européenne de Bretagne</orgName>
</affiliation>
</author>
</analytic>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="mix" xml:lang="de">
<term>Aufführungspraxis</term>
<term>Oratorium</term>
</keywords>
<keywords scheme="mix" xml:lang="en">
<term>Conservatory</term>
<term>French school</term>
<term>Hip</term>
<term>Komische Oper</term>
<term>Oper</term>
<term>Operetta</term>
<term>Voice</term>
</keywords>
<keywords scheme="mix" xml:lang="fr">
<term>Conservatoire</term>
<term>Epoque romantique</term>
<term>Opéra</term>
<term>Opéra de salon</term>
<term>Opéra-Bouffe</term>
<term>Opéra-Comique</term>
<term>Opérette</term>
<term>Oratorio</term>
<term>Théâtre-Lyrique</term>
<term>Ténor</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Looking at opera, opéra-comique and salon music through the eyes of the first performers stresses the histrionic and vocal dimension of their art. Thus, this dissertation drives from the mutual appraisals of artists, which can be found in treaties, memoirs, archives of the Paris Conservatoire, letters, etc. The vocabulary used to describe singing in the 19th-century has been linked to 78rpm records and cylinder recordings. The relative focus on high-pitched male voices is only relevant because changes in the general taste for opera voices were mainly triggered by leading tenors during the romantic era. The impact of various locations and repertory on the audience's expectations was studied in order to define the aesthetic and social frame of vocal performance. Reinventing the practical know-how from the sources actually meets the growing expectations of both schedulers and singers who want to renew the approach of the so-called "romantic" French repertory - which currently goes widely unknown and unsung. A better understanding of tradition allows for more consistent historically informed performances (www.lesfrivolitesparisiennes.com).</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>France</li>
</country>
<region>
<li>Région Bretagne</li>
</region>
<settlement>
<li>Rennes</li>
</settlement>
<orgName>
<li>Université Rennes 2 Haute Bretagne</li>
<li>Université européenne de Bretagne</li>
</orgName>
</list>
<tree>
<country name="France">
<region name="Région Bretagne">
<name sortKey="Girod, Pierre" sort="Girod, Pierre" uniqKey="Girod P" first="Pierre" last="Girod">Pierre Girod</name>
</region>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000069 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000069 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     Hal:tel-01202787
   |texte=   Aus französische Gesangskunst in der Zeit Gilbert Duprez : .Geschichte, Ästhetik und Methode
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020