Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Rousseau and Favart at Fontainebleau, Pergolesi at Versailles

Identifieur interne : 000103 ( Istex/Corpus ); précédent : 000102; suivant : 000104

Rousseau and Favart at Fontainebleau, Pergolesi at Versailles

Auteurs : David Charlton

Source :

RBID : ISTEX:84EED0B28CFF5CAE627D4824617A9ACD979D1C89

English descriptors

Abstract

The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (les Menus‐Plaisirs), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's Le devin du village. Two documents preserved in the French National Archives (O1 2991 and O1 2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for Le devin and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of Zélindor, roi des Silphes, a ballet by Moncrif, Rebel and Francœur. Zélindor was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.

Url:
DOI: 10.1111/j.1754-0208.2009.00229.x

Links to Exploration step

ISTEX:84EED0B28CFF5CAE627D4824617A9ACD979D1C89

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<author>
<name sortKey="Charlton, David" sort="Charlton, David" uniqKey="Charlton D" first="David" last="Charlton">David Charlton</name>
<affiliation>
<mods:affiliation>University of London</mods:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:84EED0B28CFF5CAE627D4824617A9ACD979D1C89</idno>
<date when="2009" year="2009">2009</date>
<idno type="doi">10.1111/j.1754-0208.2009.00229.x</idno>
<idno type="url">https://api.istex.fr/document/84EED0B28CFF5CAE627D4824617A9ACD979D1C89/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000103</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<author>
<name sortKey="Charlton, David" sort="Charlton, David" uniqKey="Charlton D" first="David" last="Charlton">David Charlton</name>
<affiliation>
<mods:affiliation>University of London</mods:affiliation>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Journal for Eighteenth‐Century Studies</title>
<idno type="ISSN">1754-0194</idno>
<idno type="eISSN">1754-0208</idno>
<imprint>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2009-12">2009-12</date>
<biblScope unit="volume">32</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="591">591</biblScope>
<biblScope unit="page" to="605">605</biblScope>
</imprint>
<idno type="ISSN">1754-0194</idno>
</series>
<idno type="istex">84EED0B28CFF5CAE627D4824617A9ACD979D1C89</idno>
<idno type="DOI">10.1111/j.1754-0208.2009.00229.x</idno>
<idno type="ArticleID">JECS229</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">1754-0194</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Bouffons</term>
<term>Charles‐Simon Favart</term>
<term>Fontainebleau</term>
<term>Giovanni Battista Pergolesi</term>
<term>Jean‐Jacques Rousseau</term>
<term>La serva padrona</term>
<term>Le devin du village</term>
<term>Versailles</term>
<term>costume</term>
<term>court theatre</term>
<term>opera</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (les Menus‐Plaisirs), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's Le devin du village. Two documents preserved in the French National Archives (O1 2991 and O1 2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for Le devin and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of Zélindor, roi des Silphes, a ballet by Moncrif, Rebel and Francœur. Zélindor was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.</div>
</front>
</TEI>
<istex>
<corpusName>wiley</corpusName>
<author>
<json:item>
<name>DAVID CHARLTON</name>
<affiliations>
<json:string>University of London</json:string>
</affiliations>
</json:item>
</author>
<subject>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>opera</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>court theatre</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Versailles</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Fontainebleau</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Jean‐Jacques Rousseau</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Le devin du village</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Giovanni Battista Pergolesi</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>La serva padrona</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Bouffons</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>Charles‐Simon Favart</value>
</json:item>
<json:item>
<lang>
<json:string>eng</json:string>
</lang>
<value>costume</value>
</json:item>
</subject>
<articleId>
<json:string>JECS229</json:string>
</articleId>
<language>
<json:string>eng</json:string>
</language>
<abstract>The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (les Menus‐Plaisirs), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's Le devin du village. Two documents preserved in the French National Archives (O1 2991 and O1 2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for Le devin and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of Zélindor, roi des Silphes, a ballet by Moncrif, Rebel and Francœur. Zélindor was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.</abstract>
<qualityIndicators>
<score>8</score>
<pdfVersion>1.3</pdfVersion>
<pdfPageSize>430.866 x 649.134 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<keywordCount>11</keywordCount>
<abstractCharCount>1536</abstractCharCount>
<pdfWordCount>5932</pdfWordCount>
<pdfCharCount>33910</pdfCharCount>
<pdfPageCount>15</pdfPageCount>
<abstractWordCount>254</abstractWordCount>
</qualityIndicators>
<title>Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<genre>
<json:string>article</json:string>
</genre>
<host>
<volume>32</volume>
<publisherId>
<json:string>JECS</json:string>
</publisherId>
<pages>
<total>15</total>
<last>605</last>
<first>591</first>
</pages>
<issn>
<json:string>1754-0194</json:string>
</issn>
<issue>4</issue>
<genre>
<json:string>Journal</json:string>
</genre>
<language>
<json:string>unknown</json:string>
</language>
<eissn>
<json:string>1754-0208</json:string>
</eissn>
<title>Journal for Eighteenth‐Century Studies</title>
<doi>
<json:string>10.1111/(ISSN)1754-0208</json:string>
</doi>
</host>
<publicationDate>2009</publicationDate>
<copyrightDate>2009</copyrightDate>
<doi>
<json:string>10.1111/j.1754-0208.2009.00229.x</json:string>
</doi>
<id>84EED0B28CFF5CAE627D4824617A9ACD979D1C89</id>
<fulltext>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/84EED0B28CFF5CAE627D4824617A9ACD979D1C89/fulltext/pdf</uri>
</json:item>
<json:item>
<original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/84EED0B28CFF5CAE627D4824617A9ACD979D1C89/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/84EED0B28CFF5CAE627D4824617A9ACD979D1C89/fulltext/tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a" type="main" xml:lang="en">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<respStmt xml:id="ISTEX-API" resp="Références bibliographiques récupérées via GROBID" name="ISTEX-API (INIST-CNRS)"></respStmt>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<availability>
<p>WILEY</p>
</availability>
<date>2009</date>
</publicationStmt>
<sourceDesc>
<biblStruct type="inbook">
<analytic>
<title level="a" type="main" xml:lang="en">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<author>
<persName>
<forename type="first">DAVID</forename>
<surname>CHARLTON</surname>
</persName>
<affiliation>University of London</affiliation>
</author>
</analytic>
<monogr>
<title level="j">Journal for Eighteenth‐Century Studies</title>
<idno type="pISSN">1754-0194</idno>
<idno type="eISSN">1754-0208</idno>
<idno type="DOI">10.1111/(ISSN)1754-0208</idno>
<imprint>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2009-12"></date>
<biblScope unit="volume">32</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="591">591</biblScope>
<biblScope unit="page" to="605">605</biblScope>
</imprint>
</monogr>
<idno type="istex">84EED0B28CFF5CAE627D4824617A9ACD979D1C89</idno>
<idno type="DOI">10.1111/j.1754-0208.2009.00229.x</idno>
<idno type="ArticleID">JECS229</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<creation>
<date>2009</date>
</creation>
<langUsage>
<language ident="en">en</language>
</langUsage>
<abstract xml:lang="en">
<p>The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (les Menus‐Plaisirs), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's Le devin du village. Two documents preserved in the French National Archives (O1 2991 and O1 2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for Le devin and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of Zélindor, roi des Silphes, a ballet by Moncrif, Rebel and Francœur. Zélindor was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.</p>
</abstract>
<textClass xml:lang="en">
<keywords scheme="keyword">
<list>
<head>Keywords</head>
<item>
<term>opera</term>
</item>
<item>
<term>court theatre</term>
</item>
<item>
<term>Versailles</term>
</item>
<item>
<term>Fontainebleau</term>
</item>
<item>
<term>Jean‐Jacques Rousseau</term>
</item>
<item>
<term>Le devin du village</term>
</item>
<item>
<term>Giovanni Battista Pergolesi</term>
</item>
<item>
<term>La serva padrona</term>
</item>
<item>
<term>Bouffons</term>
</item>
<item>
<term>Charles‐Simon Favart</term>
</item>
<item>
<term>costume</term>
</item>
</list>
</keywords>
</textClass>
</profileDesc>
<revisionDesc>
<change when="2009-12">Published</change>
<change xml:id="refBibs-istex" who="#ISTEX-API" when="2016-3-3">References added</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item>
<original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/84EED0B28CFF5CAE627D4824617A9ACD979D1C89/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="Wiley, elements deleted: body">
<istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration>
<istex:document>
<component version="2.0" type="serialArticle" xml:lang="en">
<header>
<publicationMeta level="product">
<publisherInfo>
<publisherName>Blackwell Publishing Ltd</publisherName>
<publisherLoc>Oxford, UK</publisherLoc>
</publisherInfo>
<doi origin="wiley" registered="yes">10.1111/(ISSN)1754-0208</doi>
<issn type="print">1754-0194</issn>
<issn type="electronic">1754-0208</issn>
<idGroup>
<id type="product" value="JECS"></id>
<id type="publisherDivision" value="ST"></id>
</idGroup>
<titleGroup>
<title type="main" sort="JOURNAL OF FOR EIGHTEENTH-CENTURY STUDIES">Journal for Eighteenth‐Century Studies</title>
</titleGroup>
</publicationMeta>
<publicationMeta level="part" position="12004">
<doi origin="wiley">10.1111/jecs.2009.32.issue-4</doi>
<numberingGroup>
<numbering type="journalVolume" number="32">32</numbering>
<numbering type="journalIssue" number="4">4</numbering>
</numberingGroup>
<coverDate startDate="2009-12">December 2009</coverDate>
</publicationMeta>
<publicationMeta level="unit" type="article" position="9" status="forIssue">
<doi origin="wiley">10.1111/j.1754-0208.2009.00229.x</doi>
<idGroup>
<id type="unit" value="JECS229"></id>
</idGroup>
<countGroup>
<count type="pageTotal" number="15"></count>
</countGroup>
<titleGroup>
<title type="tocHeading1">Articles</title>
<title type="tocHeading2">Staging & performance (then & now)</title>
</titleGroup>
<copyright>© 2009 British Society for Eighteenth‐Century Studies</copyright>
<eventGroup>
<event type="firstOnline" date="2009-11-10"></event>
<event type="publishedOnlineFinalForm" date="2009-11-10"></event>
<event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.2 mode:FullText source:FullText result:FullText" date="2010-03-06"></event>
<event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-01-30"></event>
<event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-10-23"></event>
</eventGroup>
<numberingGroup>
<numbering type="pageFirst" number="591">591</numbering>
<numbering type="pageLast" number="605">605</numbering>
</numberingGroup>
<linkGroup>
<link type="toTypesetVersion" href="file:JECS.JECS229.pdf"></link>
</linkGroup>
</publicationMeta>
<contentMeta>
<countGroup>
<count type="figureTotal" number="2"></count>
<count type="tableTotal" number="0"></count>
<count type="formulaTotal" number="0"></count>
<count type="referenceTotal" number="0"></count>
<count type="wordTotal" number="6256"></count>
<count type="linksPubMed" number="0"></count>
<count type="linksCrossRef" number="0"></count>
</countGroup>
<titleGroup>
<title type="main">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
<title type="shortAuthors">DAVID CHARLTON</title>
<title type="short">Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
</titleGroup>
<creators>
<creator creatorRole="author" xml:id="cr1" affiliationRef="#a1">
<personName>
<givenNames>DAVID</givenNames>
<familyName>CHARLTON</familyName>
</personName>
</creator>
</creators>
<affiliationGroup>
<affiliation xml:id="a1">
<unparsedAffiliation>University of London</unparsedAffiliation>
</affiliation>
</affiliationGroup>
<keywordGroup xml:lang="en">
<keyword xml:id="k1">
<sc>o</sc>
pera</keyword>
<keyword xml:id="k2">court theatre</keyword>
<keyword xml:id="k3">Versailles</keyword>
<keyword xml:id="k4">Fontainebleau</keyword>
<keyword xml:id="k5">Jean‐Jacques Rousseau</keyword>
<keyword xml:id="k6">
<i>Le devin du village</i>
</keyword>
<keyword xml:id="k7">Giovanni Battista Pergolesi</keyword>
<keyword xml:id="k8">
<i>La serva padrona</i>
</keyword>
<keyword xml:id="k9">Bouffons</keyword>
<keyword xml:id="k10">Charles‐Simon Favart</keyword>
<keyword xml:id="k11">costume</keyword>
</keywordGroup>
<abstractGroup>
<abstract type="main" xml:lang="en">
<title type="main">Abstract</title>
<p>The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (
<i>les Menus‐Plaisirs</i>
), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's
<i>Le devin du village</i>
. Two documents preserved in the French National Archives (O
<sup>1</sup>
2991 and O
<sup>1</sup>
2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for
<i>Le devin</i>
and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of
<i>Zélindor, roi des Silphes</i>
, a ballet by Moncrif, Rebel and Francœur.
<i>Zélindor</i>
was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.</p>
</abstract>
</abstractGroup>
</contentMeta>
<noteGroup>
<note xml:id="fn1" numbered="no">
<p>
<sc>david charlton</sc>
is Emeritus Professor of Music History at Royal Holloway, University of London. His numerous publications have specialised in French music and
<i>opéra‐comique</i>
in particular. In recent years he has edited
<i>The Cambridge Companion to Grand Opera</i>
(Cambridge, 2003); (with Nicole Wild)
<i>Théâtre de l'Opéra‐Comique, Paris: répertoire, 1762‐1972</i>
(Sprimont, 2005) and (with Katharine Ellis)
<i>The Musical Voyager: Berlioz in Europe</i>
(Frankfurt am Main, 2007).</p>
</note>
</noteGroup>
</header>
</component>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo lang="en">
<title>Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
</titleInfo>
<titleInfo type="abbreviated">
<title>Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA" lang="en">
<title>Rousseau and Favart at Fontainebleau, Pergolesi at Versailles</title>
</titleInfo>
<name type="personal">
<namePart type="given">DAVID</namePart>
<namePart type="family">CHARLTON</namePart>
<affiliation>University of London</affiliation>
<role>
<roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="article" displayLabel="article"></genre>
<originInfo>
<publisher>Blackwell Publishing Ltd</publisher>
<place>
<placeTerm type="text">Oxford, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">2009-12</dateIssued>
<copyrightDate encoding="w3cdtf">2009</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
</language>
<physicalDescription>
<internetMediaType>text/html</internetMediaType>
<extent unit="figures">2</extent>
<extent unit="words">6256</extent>
</physicalDescription>
<abstract lang="en">The French court, far from being caught off guard by the arrival of the Bouffons in 1752, had in fact been pursuing an independent policy which favoured the performance of operas since 1745. In 1749, it was its taste for spectacle that prompted the court to purchase buildings at Fontainebleau which would make it possible to house the staffs of the Royal Entertainments Department (les Menus‐Plaisirs), the workshops and stage properties departments, and to install a small rehearsal room. Three years later, Louis Bays de Cury, who was in overall charge of the Royal Entertainments Department, seized the opportunity of putting on Rousseau's Le devin du village. Two documents preserved in the French National Archives (O1 2991 and O1 2992) reveal the details not only of the extraordinary expenses incurred in the journeys to Fontainebleau, but also the particularly mixed styles of programming. They also give details of the costumes made for Le devin and other performances, which in some instances enhance our understanding of the stage practice of the Italian actors. In 1752, the passion for opera spread from Fontainebleau to Versailles, where the stage of the Salle de Comédie, located in the south wing of the palace, was subsequently enlarged in order to house not only the Bouffons, but also to permit the staging of Zélindor, roi des Silphes, a ballet by Moncrif, Rebel and Francœur. Zélindor was also staged at Versailles in 1745, but that was on a stage erected in the Grande Ecurie, which was destroyed by fire in 1751.</abstract>
<subject lang="en">
<genre>Keywords</genre>
<topic>opera</topic>
<topic>court theatre</topic>
<topic>Versailles</topic>
<topic>Fontainebleau</topic>
<topic>Jean‐Jacques Rousseau</topic>
<topic>Le devin du village</topic>
<topic>Giovanni Battista Pergolesi</topic>
<topic>La serva padrona</topic>
<topic>Bouffons</topic>
<topic>Charles‐Simon Favart</topic>
<topic>costume</topic>
</subject>
<relatedItem type="host">
<titleInfo>
<title>Journal for Eighteenth‐Century Studies</title>
</titleInfo>
<genre type="Journal">journal</genre>
<identifier type="ISSN">1754-0194</identifier>
<identifier type="eISSN">1754-0208</identifier>
<identifier type="DOI">10.1111/(ISSN)1754-0208</identifier>
<identifier type="PublisherID">JECS</identifier>
<part>
<date>2009</date>
<detail type="volume">
<caption>vol.</caption>
<number>32</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>4</number>
</detail>
<extent unit="pages">
<start>591</start>
<end>605</end>
<total>15</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">84EED0B28CFF5CAE627D4824617A9ACD979D1C89</identifier>
<identifier type="DOI">10.1111/j.1754-0208.2009.00229.x</identifier>
<identifier type="ArticleID">JECS229</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 2009 British Society for Eighteenth‐Century Studies</accessCondition>
<recordInfo>
<recordContentSource>WILEY</recordContentSource>
<recordOrigin>Blackwell Publishing Ltd</recordOrigin>
</recordInfo>
</mods>
</metadata>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000103 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000103 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:84EED0B28CFF5CAE627D4824617A9ACD979D1C89
   |texte=   Rousseau and Favart at Fontainebleau, Pergolesi at Versailles
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Oct 8 06:48:41 2020